NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Ebne Hakim breaks genre boundaries with Ethio-fusion

29 May 2024 - 14:40

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Like the great Ethiopian artists admired at home and in the diaspora, Ebne Hakim is aware of the deep musical traditions of his country. Like his predecessors, he’s not afraid to tap into the rich culture of his people and employ it in his work.

Ebne Hakim.

Bursting with artistry shaped in the bustling streets of Addis Ababa, the recent Sony Music Entertainment Africa signing has crafted a visionary soundscape: by blending traditional and contemporary Ethiopian music with modern, global variants, spanning alt-R&B, pop, funk and electro, Ebne Hakim is able to bring Ethio-fusion to life.

A believer in the power of music as a universal language, Ebne Hakim uses his personal experiences to explore the intricacies of human emotions and the dualities of life such as love and heartbreak, as well as paths to self-discovery. His music, delivered in his native Amharic, incorporates vivid storytelling and poetic lyricism, powered by hypnotic vocals and melodies that speak to the mind and soul.

“Ebne Hakim is truly a one-of-a-kind artist,” Blen Mekonnen, who is Ebne Hakim’s manager at the Sony Music-affiliated Bana Records, says. “He has this unique way of looking at things and life, which you can really feel in his lyrics and melodies. His music strikes the perfect balance between Ethiopian and Western sounds, making it relatable to audiences from various backgrounds. We at Bana truly believe in Ebne Hakim’s sound. We think it’s going to revolutionise Ethiopian music and take it to the global stage, which is exactly what our company’s mission is all about.”

Sony Music Entertainment East Africa boss Christine ‘Seven’ Mosha adds: “His emergence signifies a fresh perspective and an exciting contribution to the vibrant Ethiopian and East African music scene. He is the reason we’re really focusing on collaborating with local Ethiopian artists to help take Ethiopian music to the global stage.”

Nearly two months after joining Sony Music, we got a chance to speak with Ebne Hakim about his music, influences and aspirations.

MUSIC IN AFRICA: Tell us about yourself

EBNE HAKIM: My real name is Mikiyas Mengistu. I was born and raised in Addis Ababa. I grew up in my grandparents’ house, which gave me the opportunity to be exposed to a variety of music. This experience helped me connect deeply with Ethiopian culture. Being around my grandparents also came with many other benefits that have greatly influenced who I am today. Living in the capital has a unique vibe. It allowed me to connect with people from diverse backgrounds, and it’s safe to say that these experiences have shaped me into the person you are speaking to right now.

How did you become interested in music?

I’ve always been inspired by both local and global artists. I like to think that’s why my music sounds so different. It’s a mix of both worlds. Blending the rich musical culture I grew up with and the modern sounds I love really makes me feel sonically at home. It helps me discover new directions while staying true to the roots that shaped me.

How would you describe your sound and what was your breakthrough moment?

I call it ‘Ethio-fusion’ or ‘Ethio-pop’. To put it simply, it adapts the global sound and blends it with our local culture, which is rich in character, identity and origin. It’s got a story of its own. As for my breakthrough moment, I’d say it’s the moment I finished my first EP Brana, which came out recently. It’s really opened a new chapter in my life and hopefully it’ll shake things up in the Ethiopian music scene as well.

How do you feel about signing with Sony Music East Africa?

It was totally unexpected, coming from where I did. I think I’m the first Ethiopian to be signed with Sony, and that’s just crazy for me and my team at Bana Records. This project being my first ever just blows my mind. It really makes me feel like music transcends boundaries, reaching places where language can’t. And I believe Sony has everything it takes to help my music reach a global audience.

What do you expect from the partnership?

This partnership is definitely going to help push my music and hopefully that of other Ethiopian artists, and Africans in general, out to the world. It’s a great chance to showcase the rich variety of music we have to offer from Africa.

What can we expect from you next?

Of course, more shows and more music dropping. We’re also looking at working on features with my fellow African artists. Those are the plans right now. But there’s more to share in the coming days.

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