NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

France confers arts order on Kenyan music producer Tabu Osusa

19 Jul 2021 - 14:54

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The French government has conferred the Order of Arts and Letters (Officier de L’Ordre Arts et Lettres) on prominent Kenyan producer and Ketebul Music record label founder Tabu Osusa. The honour is in recognition of Osusa’s commitment to safeguarding and promoting East African music over the past 35 years. 

French ambassador Aline Kuster-Menager bestowing the Order of Arts and Letters on producer Tabu Osusa at Alliance Francaise in Nairobi on 16 July. Photo: French Embassy in Kenya and Somalia.

The ambassador of France to Kenya and Somalia, Aline Kuster-Menager, conferred the distinction on Osusa at a ceremony at Alliance Francaise in Nairobi on 16 July. The order is one of the highest decorations awarded by the French government and was established in 1957 by the then French minister of culture. It is awarded to artists and writers who have “distinguished themselves in the domain of artistic or literary creation or for the contribution they have made to art and literature in France and the world.”

“I am thankful to the French government for this recognition,” Osusa told Music In Africa. “We must tell our stories and champion our cultures and music both at home and abroad. That is the only way we will contribute to the cultures of the world, as opposed to trying to do poor imitations of other people’s cultures. Whatever we do, even if we borrow from others, let it be grounded in the richness of our histories, because people appreciate sincere cultural expression, language barriers notwithstanding.”

Osusa is one of the five music rights champions of the International Music Council and a member of the Visa For Music consultative committee in Morocco. He is a judge at the All Africa Music Awards and a founding member of Equation Musique, a programme initiated by the French Institute in 2008 that supports and brings together music professionals from the Southern Hemisphere. He is also the co-founder and coordinator of the Singing Wells project, which records and archives traditional sounds and music in East Africa.

In 2014, he was appointed by the Smithsonian Institute to curate the music showcased at the Kenyan stand at the Smithsonian Folklife Festival in Washington, D.C. Some of his music productions include Spotlight on Kenyan Music, whose goal was to discover and promote young talent in his home country, as well as Muziki wa Kenya, a series of concerts supported by Goethe-Institut to showcase indigenous Kenyan music. His latest project is Shades of Benga: The Story of Popular Music In Kenya 1946-2016 – a book published in 2017 that traces the origins of Kenya’s popular music from the end of World War II to the present.

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