NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Idols SA Season 14 breaks voting record

21 Nov 2018 - 14:59

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Season 14 of reality TV music competition Idols SA broke its own voting record after amassing some 142 million votes compared to 98 million last year.

Idols winner Yanga Sobetwa.

Launched in 2002, the spectacular also maintained its growth in ratings and social media engagement. The development is an indication that the TV show's mainstream influence on South African viewers won't be easily challenged by competitors in the foreseeable future.

"Idols is the biggest talent platform in the country and keeps producing amazing talent," M-Net director of local entertainment channels Reneilwe Sema told local media. "[Co-executive producers] Gavin Wratten and ProVerb have done an amazing job. I look forward to Idols' 15th season."

Wratten expressed excitement about the impressive stats. "Last year we were all blown away when we got 98 million votes and I don't think we ever thought we would get anywhere close to that for the season. Ninety-eight million was amazing," Wratten said. "So ProVerb and I chatted and we said at the beginning of the 14th season, 'Let's just throw it out there, let's just try break 100 million.' And now, 142 million votes later, really, I have no words. It's just unbelievable."

New Idols SA winner

Cape Town-based Yanga Sobetwa was crowned the winner of Season 14 at Carnival City in Johannesburg on Sunday night. The 17 year old, who was the youngest contestant in this year’s Top 10, competed for top honours against 23-year-old Thato Makape.

After winning, Sobetwa became an instant millionaire in rand and also walked away with a car, a record deal with Gallo Record Company and various other prizes. According to local media, Sobetwa has plans to study entertainment law, attain a PhD in music, open her own production company and start a music academy.

The victory makes Sobetwa the second teenager from Cape Town to win the title in the past two years. Paxton Fielies (now just Paxton), who was also born in the Mother City, won the Idols title last year.

“I am more adamant about what I want to do," Sobetwa said after winning the competition. "I know I am going for gospel. That’s always what I’ve wanted to do and the vision has been to inspire teenagers through gospel music. I can’t put into words how I feel right now, but I can say it in song."

During Sunday's final, local artists who entertained the audience members at Carnival City and throughout South Africa included AKA, Black Coffee, Prince Bulo, Okmalumkoolkat, Kwesta, DJ Tira and Paxton.

Meanwhile, Paxton's lyric video for the song ‘Angifuni’ has been viewed more than 1 million times on YouTube. This is arguably due to her success on the Idols stage last year.

“It’s such a great achievement, I didn’t expect for my video to hit 1 million views in less than six months of its release,” Paxton said early this week. “It’s so cool to have achieved this before my one-year mark since winning Idols and I just feel like I achieved so much before I had to hand over my title and this is one of the big achievements.

Paxton is also planning to tour the UK and US next year. She has already toured Sweden and Russia.

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