NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

The story of Ghana’s favourite genre – part 3

20 Apr 2017 - 15:38

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This article continues a treatise of the hiplife genre in Ghana.

Sarkodie is one of the most successful hiplife artists.

Today the genre has matured and has become a multimillion cedi business with corporate endorsements, performance fees and brand extensions raking in big revenue for some hiplife artists.

Over the past 10 years, the telecommunications companies such as MTN, Glo and Tigo have signed some juicy deals with musicians starting with Samini’s game-changing MTN deal from which he walked away after almost a decade of association with the telecoms brand. During that period, he featured in many adverts for MTN and performed at concerts and charity events in return for the brand’s support for his charity work.

Glo also caused tremors on the entertainment scene when the company signed on a roster of musicians and movie actors. The musicians included both hiplife and highlife musicians. The Glo deal was viewed as counterproductive since the company at the time had not commenced operations in Ghana and the artists could not perform at shows sponsored by other telecommunications companies. However, the likes of Reggie took his money and extended his brand by investing in the hospitality industry, opening the Django nightclub and the Rockstone’s Office pub, which he co-manages with his medical doctor wife, Zilla Limann.

Okyeame Kwame, 2008 VGMA Artist of the Year, is another artist who has also extended his brand creatively by stepping into the advertising business, setting up his own company which handles media activations and develops creative material for clients as diverse as Coca-Cola and health institutions. He is still recording and collaborating with the new generation of artists such as Raquel, MzVee and his siblings Bradez, among others.

The face of hiplife today is markedly different from what it was a decade ago with many new faces having replaced the old crop of stars. Today, artists like Guru, EL, Flowking Stone, Teephlow, Pappy Kojo, Joey B, Gasmilla and Kofi Kinaata are kicking up a storm. Divas like Efya and MzVee are not outright hiplife artists, although they collaborate on hiplife songs. D Black is another artist who has coupled business savvy and creativity to position himself as a top hiplife artist and was the first Ghanaian musician in the genre to receive a BET nomination. Artists like Twi Pop General, Dr Cryme, Praye (who have regrouped although their lead singer is still plying a solo career) and others are trying to revive their careers in today’s heady competition. Fuse ODG has taken Ghanaian music and his ‘Azonto’ campaign across borders is doing brilliant work with his music and dance. He is one of the acts to watch in terms of Ghana music going places.

Hiplife greats

In terms of all-time greatness in the hiplife realm, there is a tall list of contenders. After careful scrutiny, my list is as follows:

Sarkodie

Sarkodie sits atop the totem pole and this fact is even attested to by Reggie Rockstone, which is a credit to Sarkodie’s artistry and savvy as well as the team behind him which includes international lawyer Cynthia Jumu. Sarkodie has addressed students at Harvard Business College and played the Apollo Theatre in New York and Wembley in London, filling both venues to capacity. The two-time VGMA Artist of the Year has also won laurels at the BET and other international awards.

Okyeame Kwame

Rap Dr Okyeame Kwame, who has managed to remain relevant over a two-decade period, also makes the list of who is who in hiplife. Since the split of the group Akyeame, Kwame has gone to forge a solid solo career that has delivered the prestigious VGMA Artist of the Year award to him and he is still churning out hits and pushing his career. He recently performed to a select crowd of industry movers and shakers in New York City.

Obrafour

Rap Osofo Obrafour, the lyrically conscious diminutive dreadlocked rapper who released his maiden album by the turn of the century, still scores hits and continues to rock stages both locally and internationally. Apart from a short period that he considered going into the Lord’s vineyard, Obrafour has remained consistent.

Reggie Rockstone

The grandpapa of hiplife’s joining of VIP and the subsequent transformation of the group to VVIP has given him a new lease on life. Prior to that, Rockstone, who is responsible for coining the phrase hiplife, blazed a trail with his infectious raps over hip hop beats and led the experimentation with local rhythms along with his beatmaker Rab Bakari, radio station owner and entrepreneur Mike Cooke and music engineers Panji Anoff and Zapp Mallet.

Lord Kenya

Lord Kenya, who is now an evangelist, makes it on my list of all-time greatest hiplife artists. The rap ‘heavyweight champion’ as he used to call himself was a prolific hitmaker and a great performer. A former long distance runner, he gave energetic and exciting performances that have not been surpassed by a hiplife artist of his pedigree.

Other hiplife greats include the likes of Tinny, another Hammer protégé who made waves with his Ga raps during the early part of this century. Another Hammer protégé, Edem, is also in the reckoning for the hiplife greats of all-time list along with EL, the 2016 VGMA Artist of the Year, Trigmatic, Asem and Lord Kenya. Hammer is one brother who has played a seminal role in shaping the future of hiplife with his moulding of the talents of many of the hiplife heavyweights today. Of course, many people will dispute this list and serve up their own preferences. Generally speaking, the way forward for hiplife is positive and with the right environment and the collaboration of all key players, hiplife music should transcend Ghanaian borders and communities. There are a few challenges to this and these need to be addressed.


This is an excerpt from Ahuma Bosco Ocansey’s forthcoming book Conversations on the Creative Arts in Ghana. Stay tuned for the fourth and last instalment of this serial.

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