NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top 10 Naija songs of 2018

28 Sep 2018 - 13:59

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A variety of artists have made the top 10 pop songs in Nigeria this year. 

Burna Boy, Tiwa Savage, Kizz Daniel and Victor AD have made some of Nigeria's biggest hits in 2018.

There are usual suspects Wizkid and Tiwa Savage, but there is also a comeback kid. There is a pioneer of contemporary Nigerian pop, but the list also has two DJs. Since the year started, the songs below have made millions dance. Before the year ends, they'll make millions more dance as well.

10. Baba – DJ Spinall ft Kizz Daniel

It is shaku shaku season in Nigeria. This is one of the soundtracks for the dance.

9. Jogodo – Tekno

The original song, 'Kpolongo' by Danfo Drivers, is indestructible. Tekno added his trademark humorous near-nonsense and remade it for his generation.

8. Legbegbe – Mr Real

One of the songs tailor-made for the shaku shaku was inspired by an incident involving the fraudulent purchase of several iPhones from a tech hub in Lagos. It catapulted the previously unknown Mr Real to fame.

7. Science Student – Olamide

By the time the video for this song was released, it had already claimed its share of notoriety. It got banned. But it got played. Many times over.

6. Wetin We Gain – Victor AD

Newcomer Victor AD made a hit out of a prayer to God for success. It’s a bit of a self-fulfilling prayer that the same song has become one of the biggest songs of the year.

5. Amaka – 2Baba ft Peruzzi

2Baba’s political and romantic tracks have overshadowed his comedic talents. But from the start, he has recorded songs with no higher intentions. His ‘Amaka’ is clearly a follow-up to his 2017 hit ‘Gaaga Shuffle’, but its spirit goes all the way to 2003’s ‘Keep On Rocking’ where he chronicled preparations made by a group of guys heading to a party. With ‘Amaka’, he captures another relatable episode: a guy is frustrated at a no-show girlfriend. It might not be good publicity for women named Amaka; but for the rest of Nigerians, it is good pop music.

4. Diet – DJ Enimoney ft Tiwa Savage x Reminisce x Slimcase

It is impossible to say who stole this song. All of the verses as supplied by rapper Reminisce, singer Tiwa Savage and shaku-shaku sensation Slimcase are remarkable. The beat by Sarz immediately commands attention. The video by Clarence Peters is one of his best in a while. The whole thing is an exemplary package of pop pleasure.

3. Ye – Burna Boy

Burna Boy has long existed as his own category. He proved his own uniqueness when he released his latest album Outside. Almost immediately, listeners singled out ‘Ye’ as a highlight from the acclaimed work.

2. Lova Lova – Tiwa Savage ft Duncan Mighty / Fake Love – Wizkid ft Duncan Mighty (tie)

This year would probably be remembered as the year of Duncan Mighty, the South-South Nigeria act some had forgotten about. His return was sparked by his appearance on Wizkid's 'Fake Love'. That return was solidified on Tiwa Savage's 'Lova Lova', where he rhymes “oil spillage” with “yam porridge” and “Freedom College”, all of which you can find in his region of Nigeria. Let's call him Shakespeare of the South-South.

1. Soco – Starboy ft Wizkid x Ceeza Milli x Terri x Spotless

The country’s unparalleled hitmaker and his crew made one of the year’s anthems with a chorus consisting of a single word. What does the word mean? Nobody really knows, but you’d have to have no pulse to resist dancing.

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