NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top Cassper Nyovest songs

31 May 2019 - 08:36

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South African rapper Cassper Nyovest is undoubtedly one of the most recognised and successful artists in Africa. The 28 year old is one of the best examples of current African musicians who have achieved great success in their short (and still continuing) careers. The ‘Gusheshe’ hitmaker has become synonymous with his successful Fill Up series, which gained him even more recognition on the continent and beyond.

Cassper Nyovest and US soul and R&B singer Goapele in a scene from the ‘Destiny’ music video.

His spirited performances earned him a spot at the controversial Global Citizen Festival a day after the Fill Up Moses Mabhida Stadium concert. With four studio albums to date, most of Nyovest’s songs have become the biggest hits in an industry that is heavily dominated with talented rappers such as AKA, Nasty C, Kwesta, Riky Rick, Emtee and L-Tido.

‘Doc Shebeleza’, one of his most successful tracks, earned him a nomination at the 2018 BET Awards (but the top prize went to Nigeria’s Davido). He has also released songs and music videos that have garnered million views on YouTube. In no particular order, here is a list of some top Cassper Nyovest songs.

‘Tito Mboweni’ (2017)

The title of the song is a reference to former Reserve Bank of South Africa governor and Minister of Finance, Tito Mboweni. ‘Tito Mboweni’ is all about having money. It was released when Mboweni was a governor and his appointment as the country’s finance minister gave Nyovest more cause to brag about his song.

‘Destiny’ (2017)

The song is off his studio album Thuto and features US soul and R&B singer Goapele. The song’s chorus is a sample of Malaika’s 2004 hit song of the same name. In the song, Nyovest expresses his longing over a past relationship. The rapper revealed in a Twitter response to a fan that the song was inspired by a true story of a woman who left him for a rich guy.

‘I Hope You Bought It’ (2014)

The song for the video is off Nyovest’s debut album Tsholofelo. The video is representative of Nyovest's journey as an artist and emotionally describes his rise to prominence. His rise is symbolically shown in the video, where the Tsholofelo album cover is airbrushed into shot over the duration of the song. On this track Nyovest sings about the challenges of being a local hip hop artist: “I’m in a city where things are mad different if you show love they say you a**-kissing/I wish the media would treat me like Kiernan and them.”

‘Gusheshe’ ft. Okmalumkoolkat (2013)

The energetic song, the first single from the Tsholofelo album, was heavily influenced by kwaito. The song was well-received on local radio stations and earned Nyovest two prizes at the SA Hip Hop Awards. The song was also licensed for a Sprite commercial in the US.

‘Ksazobalit’ (2018)

This comical video is an introduction to Nyovest's Thuto album. It was shot in Hartebeespoort in the North West Province. In the video, Nyovest is dressed like an Afrikaner farmer and drives around an old tractor while a hip hop dance crew performs in the field. The video features choreographer and presenter Somizi, who is seen driving a big delivery truck.

‘Phumakim’ (2014)

The video was shot in several South African townships and is also taken from the rapper’s debut album Tsholofelo. ‘Phumakim’ is a Zulu term, which loosely translates to “leave me alone” - and in the song, Nyovest talks about the condemnation received by celebrities on social media. The rapper also brags that he dates women that are as famous as him, making reference to the South African-Swazi actress Amanda Du-Pont. The beat of the song was reportedly intended for US rapper Future, who turned it down. The song was produced by Zimbabwe’s Brian Soko, who is famous for co-producing Beyoncé’s ‘Drunk in Love’.

‘Push Through the Pain’ (2018)

This song is also off Nyovest’s 2017 gold-selling studio album Thuto. The video narrates the challenges faced by students while studying at universities in South Africa. It emotionally shows the means used by some students to earn a living to pay for their studies (including prostitution).

‘Doc Shebeleza’ (2014)

No doubt one of Nyovest’s best songs, ‘Doc Shebeleza’ personifies the rapper’s energetic rapping styles and his love for the hood. The song was inspired by Nyovest’s love for kwaito and is off the album Tsholofelo.

‘Gets Getsa 2.0’ (2018)

Produced by South Africa-based Malawian rapper Gemini Major, this song pays tribute to kwaito legend Doc Shebeleza. The song samples Shebeleza’s 1990s hit track ‘Gets Getsa’.

‘Baby Girl’ (2017)

‘Baby Girl’ is among Nyovest’s top music videos, where the music is coupled with great dancing routines. The video features Somizi, as well as local artists L-Tido, Riky Rick, Major League DJz and Tanzania’s Vanessa Mdee.

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