NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Overviews

Women in Sierra Leone music

12 Jul 2017 - 16:02

cc-img flag-img

The Sierra Leonean music industry is male-dominated, a fact apparent in the small number of female professionals (MCs, vocalists, rappers, instrumentalists and managers) currently active.

Heyden Adama is one of a few female Sierra Leonean artists.

For most live music events in the country, the line-up tends to consist merely of male musicians. However, there are females, especially recording artists, who have made and are still making impact on the music industry. The text below presents an overview of female musicians including links to social media platforms and listening examples categorised by genre.

Traditional musicians

Amie Kallon: She was born and raised in Kenema (eastern Sierra Leone) and belongs to the matriarchic Mende tribe. She is one of the most influential musicians of her time. Amie Kallon played an important role during the Sierra Leone Civil War (1991-2002) as she was one of few artists who continued producing music and made public her views on the rebels.

Kallon performs traditional Mende music, sung in the native tongue. Part of her repertaire are parables and Mende folklore. A live performance of hers include 8-10 instrumentalists and dancers. It is unclear when Amie Kallon started her musical career, but she is currently still active.

Fantacee Wiz: She was born in Kabala (northern district) and currently lives in Freetown. A traditional folksinger, songwriter and actress who started her career as part of the performing art group Sierra Leone Freetong Players International, Fantacee Wiz started her own group called the Sierra Unity Playas in 2011. They toured schools across the country with a Stay in School campaign.

Fantacee Wiz has developed a unique style that combines folk and modern afrobeat, sung in both Koranko and Madingo, her local tribal languages. She uses the bata and the balangi, traditional Sierra Leonean instruments, for her live performances. Fantacee Wiz has collaborated with hip hop and dancehall artists as well, including Drizilik, Shine de Godson and Dallas Bantan. Fantacee Wiz was influenced by Amie Kallon, and is a known feminist. She has campaigned against child marriage and rape.

Reggae

Khady Black: A reggae artist, Khady Black (Khadyja Fofana) is a social activist that sings and raps in English, Krio and Madingo. She started her career in 2002 and was active up to 2008. She is best known for her song ‘Mr Government,’ in which she critiques the political situation in Sierra Leone. In 2005 she won the TBS Music Award for best reggae album for her Mr. Government album.

Afropop/ contemporary

Mijay: Mijay, whose career started in 2012, had her first hit in 2014. Titled ‘Makeneh Love,’ it featured Markmuday, one of the most popular male artists in Sierra Leone. She is one of few artists who focus on live music performances and has a close connection with Freetown Uncut, the leading live band of the country. Her music style can be described as a combination of afropop, dancehall and R&B.

Rozzay: Rozzay Sokota started her music career as being part of a duo with Markmuday. They were known for hits such as 'Pepeh Wata' and 'Life Goes On' (2016) . She is active as a solo artist and has been signed by the KME record label.

Lady Felicia: Felicia Grant Turay, popularly known as Lady Felicia, was born in the Kailahun district of Sierra Leone. She started her career in 2004 and became popular with the song 'Sweet Salone'. In 2009, she started the educative television talk show called The Lady Feli Show. During the Ebola crisis she became part of the ‘Artists With One Voice’ association, a group of Sierra Leonean artists, both part of the diaspora and those who were located in Sierra Leone, that voiced their support in the battle against ebola in 2014. Her last album, ‘Pressing On’, was released last year.

Empress Pee: An afropop artist, Empress Pee is one of the leading female New School artists. She is currently managed by Ellen Kister, one of Sierra Leone’s leading female MCs. Her hit 'Boom Bam Boom' was released in 2016

Heyden Adama: Heyden Adama Bangura is a musician, model and actress who currently lives in the United States of America. Her hitsingle, 'Fit in Gbet' (meaning, just perfect), was well received upon its release in 2011. Her music style is a combination of afropop, dancehall and traditional folk music. She is still active and has collaborated on a new song with Supa Saa in the start of 2017.

Gospel artists
Vicky Fornah: A gospel musician born and raised in Freetown, Vicky Fornah currently resides in the United States of America. She started her singing career at the age of 10 when she became part of her church choir. In 1995 she released her first album Don’t Bend the Law.

In 1999, she gained popularity with the song ‘Cry Africa’, which was used as soundtrack in the film ‘Burn Salone'. In 2002 she released Hold my Hand, her best selling album up till date. She is also a social activist and was part of the Artists with One Voice group.

Hannah Williams: In 1994, Hannah Williams released her first album ‘Joyful Day’ in 1994 at the age of 26. She has released several albums since including the 2007 album ‘God Nar me Papa.’

References

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media