NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Women’s Day playlist: Celebrating Africa’s queens, warriors, visionaries

08 Mar 2024 - 09:49

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The theme for this year’s International Women’s Day is Invest in Women: Accelerate Progress, while its campaign tagline is Inspire Inclusion. While progress has been made in tackling the disenfranchisement facing women around the world, there is a long way to go with the power systems still tilted in favour of men. As such, there is more to be done to drive home the message of the importance of diversity and empowerment in all aspects of society.

Miriam Makeba.

With calls for inclusion and gender equality at the heart of the struggle, women have long learnt that no one can drive this agenda home better than themselves.

As the world marks this special occasion, Music In Africa presents a list of women musician-activists who have acted as core drivers of change in their societies. The list celebrates warriors, firebrands, misfits, queens and visionaries – past and present – leading the charge for social, political and economic equality by example – by singing it and acting upon it. They are advocates for human rights speaking truth to power. Mavericks who dared to dream big and venture into male-dominated spheres uninvited.

Miriam Makeba (South Africa)

The ‘Queen of African Music’ was a trailblazing pioneer, unstoppable in life and death. The singer and actress took the fight for equality to international stages where she railed against the injustices faced by South Africans under the yoke of apartheid. After her exile to Guinea in 1969, she became the symbol of the fight for black liberation globally, a militant pan-African laying waste to oppressors lyrically. Her 9 March 1964 speech to the UN General Assembly captured Mama Africa’s ideals: “I ask you and all the leaders of the world: would you act differently? Would you keep silent and do nothing if you were in our place? Would you not resist if you were allowed no rights in your own country because the colour of your skin is different to that of the rulers and if you were punished for even asking for equality? I appeal to you and to you, to all the countries of the world, to do everything you can to stop the coming tragedy. I appeal to you to save the lives of our leaders, to empty the prisons of all those who should never have been there.”

Hawi Tezera (Ethiopia)

At the height of Oromo repression in Ethiopia in 2015, Hawi Tezera dared to voice the concerns of her people against the state’s violent response to protests that had led to the killings of thousands of people. But just days after releasing a song viewed as critical of the government, the famous singer found herself in a police cell where she was tortured for days before being released. Photos of the singer’s injuries galvanised the protests and served as evidence of the state-sanctioned atrocities committed against those speaking out about the injustices meted out on the people of Oromia.

Muthoni Drummer Queen (Kenya)

In the cut-throat Kenyan entertainment business space, men have always had their way, imposing their ideas and dictating the terms of engagement. This is until 2008 when a new voice swept through the East African live music scene when the inaugural Blankets and Wine festival took place. The event, which still exists today, is the brainchild of Kenyan musician and entrepreneur Muthoni Drummer Queen. Although it’s now the standard for other live music and lifestyle platforms, Blankets and Wine has fought its fair share of battles coming from individuals and organisations aiming to kill it in order to start similar ventures. Muthoni’s ability to weather these storms is a testament to her unfailing will and fighting power.

MC Yallah (Uganda)

MC Yallah has been active in Uganda male-dominated hip hop scene since 1999. Her energetic, unrestrained performances serving up hip hop laced with grime, punk and trap can be matched by a few artists in the genre – a joy to experience and a true measure of what it means to be a live artist. Her pointed lyrics delivered rapidly in Swahili, Luganda, English and Luo hold up a mirror to society, telling girls that it’s possible to stand out as long as you remain true to your identity. The lyrics drawn from real-life experiences often address women’s issues and spread a powerful message of self-determination.

Efya (Ghana)

Ghana’s Efya is among the country's most important and innovative pop voices. Since hitting the mainstream in 2008 via the Stars of the Future singing contest, she has also positioned herself as a champion of girl power through bold anthems and high-profile collaborations with everyone from Sarkodie to Tiwa Savage.

Yemi Alade (Nigeria)

Yemi Alade is nothing if not the voice of empowerment. She is the heir of pioneering African female singer-activists like Miriam Makeba and Angélique Kidjo. Her hits are too many to count at this point, and she is the first African female Afropop star to surpass 100 million views on YouTube with her hit ‘Johnny’. In 2020, she became a UN Development Programme goodwill ambassador, adding to her long list of philanthropic responsibilities, including her own James and Helen PathWay Foundation.

Angélique Kidjo (Benin)

Beninese songstress, who is sometimes referred to as the ‘Golden Voice of Africa’ is revered for her many contributions, both musical and humanitarian. The commitment of the 2023 Polar Music Prize laureate and five-time Grammy winner to serving others is evident through her involvement in a long list of campaigns. Since 2002, Angélique Kidjo has been a UNICEF goodwill ambassador, advocating for children’s rights. She also supports the International Federation of Human Rights’ Africa for Women’s Rights campaign and is the co-founder of the Batonga Foundation, which empowers and educates adolescent girls in sub-Saharan Africa.

Viviane Chidid (Senegal)

By exploring the nuances of suffering and resilience, Viviane Chidid’s work speaks supports the essential fight for equality and respect in the home. Her songs denounce domestic violence, pointing out that women are often the main victims. Through sincere and touching lyrics, she highlights the injustices hidden in homes where love should prevail. In this way, music becomes a reflection of a difficult reality, encouraging people to break the silence surrounding such harmful behaviour.

Oumou Sangaré (Mali)

Oumou Sangaré is famous for her blend of traditional music and jazz. Born in Bamako, the ‘Queen of Wassoulou’ is also known for her committed lyrics addressing themes such as women’s rights, polygamy and social injustices. She has received numerous awards for her talent and commitment.

Queen Rima (Guinea)
The ‘Queen of Guinean Dancehall’ is known for paying tribute to the brave women who fight for their families. The artist encourages women to invest themselves fully in their activities and not to delegate all roles entirely to men. She was nominated for the prestigious Prix Découvertes RFI in 2022, a testament to her growing influence in the music world. With her catchy style and powerful lyrics, Queen Rima defies convention and has established herself as a powerful voice in the Guinean music industry.

Les Mamans du Congo (Congo-Brazzaville)
Les Mamans du Congo (Congolese Mamas) is a Congolese music group made up exclusively of women. They are known for their fight for the emancipation of women.

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