NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Gambia to host British artists at Kartong Festival

30 Jan 2018 - 10:46

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This year the Kartong Festival will attract a group of British and Brazilian artists and musicians for a cultural exchange from 2 to 4 February 2018.

Kartong Festival intends to play a crucial role in bringing more tourism to the Gambia. Photo: KEN

The annual Festival is expected to attract dozens across the country and from abroad to the grounds of St Martin’s Basic Cycle School in the centre of the village in Kombo South District of the West Coast Region in the Gambia.

There will also be a series of performances and workshops in local lodges in Kartong village, which will feature Sabar drummer Modou Diouf and Sona Jobarteh, the first female kora virtuoso to come from a prestigious West African griot family.

A team of 39 will join the organising committee of Kartong Festival, which has run in the Gambian southern coastal village since 2004. Among the foreign crew are visual artists, choreographers, costume makers, drummers and teachers as well as people skilled in fundraising and event production.

The aim is to share expertise and help the festival maximise its potential, including its appeal to tourists. The Brits hope to learn more about Gambian and West African traditions including kankourang costume making, music and dance.

The British incursion is coordinated by Global Grooves, an international carnival arts organisation based in the north of England. “Our work takes us all over the world, learning and sharing our knowledge and skills of international carnival customs," Global Grooves CEO Leon Patel said

“The Festival has the potential to become the number one attraction for visitors to the Gambia and for it to serve as a vehicle for bringing money into local communities rather than the European businesses that dominate tourism. This is not a one-off. We hope to build a lasting friendship and relationship with Kartong Festival," he said.

Patel, an experienced percussionist, teacher and event organiser, first met the Kartong Festival committee during a visit to the Gambia in 2016. Though the purpose of that trip was to help establish a bush taxi social enterprise in Manjai Kunda, once he met the event organisers, he vowed to return to join the festival team.

“We are looking forward to welcoming Global Grooves," Modou Kuto Manneh, coordinator of the Kartong Festival committee, said . "This cultural exchange provides a great opportunity for everyone involved, from the youngest school children to the most respected musicians and performers. We have ambitious plans for future festivals and believe that sharing our culture, traditions and lifestyle can play a crucial role in bringing more tourism to Gambia.”

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