NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Best Ghanaian albums of 2020

17 Dec 2020 - 15:13

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The top Ghanaian albums of 2020, which mostly arrived in the last quarter of the year, highlight an impressive mix of renowned and new voices ready to take up the reins. They also reveal an exciting variety of influences that begin with highlife and traverse Afropop, reggae-dancehall, hip hop and gospel.

Kuami Eugene.

It is imperitive to note that the year did not see albums from two of the country’s biggest artists, Shatta Wale and Sarkodie. The former delayed his album due to the COVID-19 pandemic, while the latter’s decision was to allow enough time between his last album Black Love and a new one.

The COVID-19 crisis notwithstanding, the country’s music scene maintained a bubbly outlook overall, with many artists turning to virtual concerts and a radical streak of single releases across digital music platforms.

Son of Africa by Kuami Eugene

Because Ghana is widely deemed a cornerstone of Afrobeats, it is unsurprising that albums from the country that lean toward the African dance genre have secured the most impact. Kuami Eugene’s sophomore LP Son of Africa took the lead in this regard. Released in October, the project, overflowing with commercial hits and big-name collaborations, crowned a historic year for the artist, who is the current Vodafone Ghana Music Awards’ Artist of the Year.

Kpanlogo by Darkovibes

Darkovibes’ Kpanlogo is another album worth mentioning. On the project, the musician, who shot to fame as the lead singer for Afro-trap collective La Meme Gang, serves a unique combination freshly popular urban influences and the traditional sounds that constitute the core of the West African sound. ‘Inna Song (Gin & Lime)’, the album’s most successful single, typifies the sonic vision of the project. Featuring colleague King Promise, the record, which is Apple Music’s highest performing Ghanaian song, is built around passionate singing, smooth highlife references, sweet strings and a bold bass layout. Kpanlogo also positioned Darkovibes as a relevant pop draughtsman.

Anloga Junction by Stonebwoy

To achieve pop prominence in Ghana, an artist must feature dance-ready rhythms. While that method may be criticised by purists as being too formulaic, it is also a route that has produced results. For instance, while Stonebwoy’s Anloga Junction may be described as a reggae-dancehall album, it also caters to Afropop, thanks to songs like the Zlatan-assisted ‘Critical’ and ‘Everlasting’. Also replete with infectious hooks and melodies, as well as sought-after guests including US R&B star Keri Hilson, South Africa’s Nasty C and Tanzania’s Diamond Platinumz, the LP has gone on to rake millions of streams and clinched this writer’s pick as the country’s biggest album of the year.

Black Star by Kelvyn Boy

With Black Star, Kelvyn Boy takes a cue from his mentor Stonebwoy, choosing fusion over strict dancehall, the style with which he made his foray into the industry. Self-styled as the ‘Afrobeats Bad Man’, the musician taps from multiple influences to whip up a colourful body of work that adds to the list of groundbreaking Ghanaian debut albums.

10am by Strongman

Twenty-twenty was also a big year for hip hop, with Strongman among the genre’s leaders. The former Sarkodie protege registered an eventful 2020 with 10am. The project, predominantly comprising hip hop and featuring Medikal, Wendy Shay and KelvynBoy, follows 2018’s STN EP.

BRA by Flowking Stone

In classic hip hop fashion, rapper Flowking Stone has constantly insisted that he’s indispensable in conversations about Ghanaian lyrical ingenuity.This year, to back that assertion, he issued ‘BRA’, which stands for Best Rapper Africa.

Araba by Adina

After many years of successful single releases, Adina’s eponymous debut LP Araba tided ashore. A remarkable testament to her vocal prowess and connection to heritage, the 10-track album pays homage to highlife but also draws from R&B, reggae and Afropop. It also features a single guest artist in KiDi.

Agoo by Yaa Yaa

Like Adina, Yaa Yaa submitted her first full-length about a decade after first bursting into the mainstream. Agoo comprises nine songs and finds the singer and multi-instrumentalist experimenting with everything from highlife to Afro-pop, Neo-soul, Afro-soul and jazz.

The Angel You Don't Know by Amaarae

Fearless and infinitely gifted, Amaarae caused a great splash with her long-awaited debut LP The Angel You Don't Know. Selecting from alternative R&B, rock, and hip hop, among other styles, the singer navigates dark and saucy themes in a process she describes as “non-stop affirmations and incantations for bad bitches.”

Healing Stream by Eric Jeshrun

This year also saw Gospel singer Eric Jeshrun (formerly Jeshrun Okyere) release his debut album Healing Stream. The project was heralded by ‘You Reign’, which features Joe Mettle. Jeshrun says his goal for the song is to “comfort and encourage the people of Africa and the rest of the world not to give up in these times.”

The Experience by MOG Music

MOG Music’s 2020 album The Experience comprises songs that were recorded live at his New Wine worship concert back in March. The eight-track project boasts soothing worship hymns and uplifting praise medleys. A heavily collaborative album, The Experience also benefits from contributions by artists in other genres, projecting a symbolic message of harmony in the Ghanaian music landscape.

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