NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top SA house songs of 2022

14 Mar 2022 - 18:18

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The story of South African music would be incomplete without house, which still commands a huge following in the country despite the emergence of genres like gqom and amapiano. In fact, house music is an important building block in the compositions of newer electronic genres, and was arguably the biggest sub-culture when the rave scene swept the country in the 1990s and 2000s. Since the rave days, SA producers have been fusing local cultures with house music, forging a sound that is unmistakably South African.

Zakes Bantwini, Nobuhle, Prince Kaybee and Skye Wanda.

In celebration of the popular genre, Music In Africa has curated a playlist the will be updated with new music as the country’s biggest producers keep on churning out the hits throughout 2022.

Tayari by Prince Kaybee ft. Idd Azizz

‘Tayari’ is a song that can be played on a road trip and in the club. It premiered on YouTube on 19 January and was produced by Prince Kaybee under LowKey Records South Africa.

Osama by Zakes Bantwini ft. Kasango

‘Osama’ was released under Paradise Sound System and is off Zakes Bantwini’s latest 11-track album Ghetto King released on 3 December 2021. The song has become a house anthem in South Africa and is accompanied by a video, which premiered on 31 December.

As’Buyeli by Heavy-K ft. Drumetic Boyz and Malumnator

This track was released in late December and is off the producer’s Respect The Drumboss 2021, Part 1 (10 Years Of Heavy-K Edition) album.

Phuze Remix by Dlala Thukzin ft. Zaba, Sir Trill, Mpura and Rascoe Kaos

The song was released in October 2021. It was produced by dance music wizard Dlala Thukzin whose versatile palette allows him to switch fluidly between Afro-tech, gqom and amapiano.

Sikelela by TNS and Kasango ft. Bukeka

‘Buleka’ was released on 28 January 2022 under Sony Music Entertainment Africa. It asks with God to bless women and children.

Girl In The Mirror by Zakes Bantwini ft. Skye Wanda

The bass-heavy track ‘Girl In The Mirror’ features Skye Wanda, who adds R&B sensibility to the composition. The song is off the KwaMashu producer’s latest album.

Sawubona by Nobuhle ft. Sun-El Musician

Released in November last year, ‘Sawubona’ is a love song that signals a promising career for Nobuhle. The song was produced by Sun-El Musician who has an incredible track record of scouting around for talented vocalists for his projects. The song is a celebration of love at first sight.

The Journey by Black Motion ft. Toshi

This one is among the tracks that best illustrates Black Motion’s ability to fuse ancestral traditions and global dance trends.

Destiny by DJ Lag ft. Amanda Black

‘Destiny’ was released in January and is intertwined with electronic dance sounds that flow perfectly with Amanda Black’s euphonious voice.

Lutar by Hypaphonik ft. Kali Mija and Offkey

‘Lutar’ was released under Stay True Sounds and is the first single off Hypaphonik’s forthcoming album set for release sometime in 2022. It features guitarist Offkey and Botswana’s Kali Maji.

I'm Fallin' by Black Coffee ft. RY X

‘I’m Fallin'’ is off Black Coffee’s Grammy-nominated album Subconsciously and features Australian singer RY X. The song was released in November 2020 and is still popular with EDM fans in 2022.

Maye by Echo Deep

This song was released in February and promises to be one of the big house songs of 2022. It was produced by Echo Deep who is well known for his features, hit singles and album releases on the House Afrika record label.

Uzalo by Zakes Bantwini ft. Nomkhosi and Olefied Khetha

‘Uzalo’ is another hit track off Zakes Bantwini’s Ghetto King album. The song is as South African as it gets and features a deep house groove with a sensual melody on top.

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