NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

BallaBalla

BallaBalla

Bands /groups
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Mannheim, Germany

In operation since:

2017

Contact person:

BallaBalla

BIO

Afrobeat, with a wink at jazz, is international music and extends beyond the barriers of language and national borders; it makes you sweat and it makes you happy. The six BallaBalla musicians got to know each other in southern France, but come from the Ivory Coast, Cuba and Germany.

The focal point of their energetic compositions is the balafon, a West African instrument similar to the xylophone; its characteristic sound results from gourds, which serve as a sound box. The balafon is an instrument which is traditionally used as accompaniment by Griot poets, has however found its place in modern African music – and it’s precisely this instrument with its sparkling sound that BallaBalla uses in an energetic and clever way.

BallaBalla presents all of this in an unconventional instrumental formation. They confront the balafon with a two-man brass section, the sound of which is supported by the bass and drums. The result of this Rirework is topped off with virtuoso percussion sounds that provide for a Latin American Rlair.

What is especially exceptional about the group is the fact that music is the only language they use to communicate: the six musicians speak French, German and Spanish, but none of them speaks all three languages. Their music makes it possible to surmount the Babylonian confusion.

Brahima Diabaté – Balafon
One of the best balafonists in the world. In his Ivory Coast family the playing and constructing of this extraordinary instrument has been passed down over the years from one generation to the next. There is no end to the Rlow of his virtuoso playing. With his compositions he has laid a foundation for the driving force of the melodies and harmonies of the band.

Duavel César Acosta – Bass
The talented Cuban bass player, multi-instrumentalist and passionate dancer instills the band with the spirit of Cuban music. His cheerful personality is an important component of the band’s team spirit and stage presence.

Garrelt Sieben – Trombone
Studied saxophone at the music universities of Weimar and Mannheim, is in great demand as a musician and active in diverse bands throughout Europe. He became interested in jazz through his passion for big-band sounds. His unmistakable solos have had a formative inRluence on the sound style of BallaBalla.

Florian Schlechtriemen – Drums
Studied jazz drums at the music university of Mannheim. With his unconventional band projects he has been inRluential in the Indie scene for decades. His grooves provide BallaBalla with its constant and steady drive.

Janis Hug –Trumpet
Studied jazz trumpet at the music university of Mannheim. With his energetic style of playing he drives the band unremittingly forward. As head of the band he is indispensable.

Jonas Herpichböhm – Percussion
Studied Latin percussion at the music university of Mannheim. His passion for international music makes the multi-instrumentalist a musician who is very much in demand. In BallaBalla he combines the spirit of African grooves with the inRluence of Latin American music.

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