NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Tariro neGitare
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Harare, Zimbabwe

In operation since:

2013

Contact person:

Tariro neGitare

BIO

Tariro neGitare is loosely translated, Tariro and the guitar. She is a Zimbabwean musician (singer, songwriter and guitarist), entrepreneur and philanthropist. She plays an original mix of indigenous African sounds and contemporary urban styles with a strong afro soul feel and evident influences from Oliver Mtukudzi, Freshly Ground, India Arie and Lauryn Hill. She is an avid collaborator, working and touring frequently with musicians from different parts of the world. Tariro neGitare is a brand that came to fruition through a monthly event called Acoustic Nights Zimbabwe, run by her organisation, Magitare Africa Trust. She has released 2 successful albums to date, a self titled debut, produced by David Sengwayo and “Chipo Changu” produced by Steve Dyer.
Background
Tariro started playing the guitar at the age of 13 at St. John’s High school, Emerald Hill where she was taught by a German Sr. Elizabeth Wedeking. She played regularly at church as well as at school. A friend of hers, Charmaine Chitate, invited her to a Sistaz Open Mic event held at the Book Café, by Pamberi Trust under the FLAME project. It was at this platform that she linked up with Edith weUtonga (then called Edith and So What?!) and became the guitarist for the band. She continued to gain experience and played for other artists including Diana Samkange and Cathy Mhlanga before branching out on her own.

Collaborations
Tariro has shared the stage with some of Zimbabwe’s finest musicians including , Stella Chiweshe, Alexio Kawara,Victor Kunonga, Chiwoniso Maraire, Dudu Manhenga, Oliver Mtukudzi and Alick Macheso amongst others. She has also had the opportunity to share the stage with South Africa’s Simphiwe Dana and Zahara, American band Publish the Quest, German bands Ting Val Trio, Favo and Jamaram, Suzanna Owiyo (Kenya), Mzungu Kichaa (Tanzania) and UK based Noisettes, The Huntertones (USA) and recently opened for Bryan Adams and James Blunt amongst other artists.
Some noteworthy collaboration includes the following:
• 2012, 2013,2014: Jamaram and Acoustic Night tour, Germany
• 2015: One Beat Fellow for US Embassy initiative, U.S.A.
• 2016: The Huntertones Band in Zimbabwe collaboration with Tariro neGitare and Hope Masike
Awards
2014: ZIWA (Zimbabwe International Women’s Awards) nominee in music category
ZIMA (Zimbabwe Music Awards) nominee for best female artist
2015: NAMA (National Arts Merit Awards) nominee for best female artist

Professional and Academic
Tariro holds a diploma in Personnel Management, an Honours Degree in Sociology and Gender studies and a Master of Science in Development. She is a creative entrepreneur who runs TNG Music and Magitare Africa Trust, a social enterprise aimed at developing communities through arts and culture.
Tariro is an analytical problem solver and detail oriented. She is an energetic leader who is able to communicate effectively with people of diverse cultural and business practices. She is a proponent of creativity and seeks to motivate those she comes across to strive to achieve personal and organisational objectives creatively.

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