NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Gaborone, Botswana

In operation since:

2018

Contact person:

B.Frnce

BIO

B.Frnce (real name Botho Francois T. K. Masisi), also known as B.Frnce The King and Casso Picasso, is a Botswana-born rapper, producer, filmmaker, and creative entrepreneur of South African descent. Born on May 27, 1998, and raised in Gaborone by a single mother, he discovered his passion for music in 2006 at just eight years old. Inspired by his older brother’s early rap pursuits, he began writing and performing, eventually delving into beat production and sound design by his mid-teens.

Drawing influence from hip-hop greats such as Nas, 2Pac, Jay-Z, Kanye West, Lil Wayne, Kendrick Lamar, and André 3000, B.Frnce developed a distinct style defined by introspective lyricism, bold production, and a rich blend of genres including afrobeat, kwaito, house, amapiano, and electronic music.

He debuted with the single “Let’s Get It” in 2018, from his first project Let’s Get It Tape, which also featured tracks like “Burn Up & Turn Up” and “G.D.O.” The tape, mostly self-produced, introduced audiences to his dual skillset as both rapper and beatmaker. In the same year, he released One Day, a collaborative EP with DJ Diction, followed by his solo-produced EP B.Fre We Get It. In 2019, he put out Don’t Sue Me, a collection of experimental songs and unreleased collaborations, including tracks with South African artists.

Singles like “Problem” and “Purge,” as well as standout releases “Quarter Century” and “2Hood” featuring Zeus and Tswex Ramotswako, marked his evolution both lyrically and sonically. His visuals and live content—such as the official Channel O broadcast of “Purge”—affirmed his creative maturity. B.Frnce also contributed as a writer and performer on D-Axis’s Pilot in Command album, collaborating with artists such as Mapetla and Zeus on key tracks.

Live, B.Frnce has headlined and supported performances at some of Botswana’s most prominent venues, including Molapo Piazza, Bojanala Waterfront, Chez Nicolas (now Dejavu), and Bee6 Entertainment. In May 2024, he delivered a striking live band performance of “Quarter Century” at Backyard Stories: Symphony Chapter, held at Stanbic Bank’s Gaborone Golf Club. He also performed at Zeus’s TrenchCoat Party, appearing just before the headliner in a lineup that featured Samantha Mogwe.

In April 2025, B.Frnce relaunched High On Hip-Hop with the Greenhouse Edition at Molapo Theatre—an ambitious celebration of hip-hop’s four core elements: emceeing, DJ’ing, breakdancing, and graffiti art. As both curator and performer, he not only took the stage but also served as DJ for several acts, contributing to the immersive, cross-generational experience that defined the event’s success.

His work in film and media extends beyond performance. As part of Local Corner Multimedia, he directed the Miss Teen Botswana 2025 docu-series production and was responsible for audio production and music arrangement for the event itself, which was broadcast live on Botswana Television (BTV). He also contributed to the technical execution of Podicast with Scar, taking on roles in cinematography, lighting, and sound operation.

In parallel, B.Frnce has produced, engineered, and featured on music released under Eric Ramco Records, further showcasing his versatility across studio roles. His formal education complements his creative career—he holds a Bachelor’s degree in Media Studies from the University of Botswana, obtained in 2024, with a focus on film, broadcasting, journalism, and public relations.

Today, at 27, B.Frnce is firmly focused on expanding his reach beyond Botswana. Following the success of High On Hip-Hop: Greenhouse Edition, he has openly declared a shift toward the international market, citing a lack of growth potential within the local industry. He has hinted on his official X (formerly Twitter) account that he no longer plans to release music within Botswana, believing that his work belongs on a broader global stage.

He is the Founder and CEO of Let’s Get It, a creative imprint and independent label that spans music production, publishing, fashion, video, film, television, and live event creation. Through this platform, B.Frnce continues to build a self-sustaining brand rooted in independence, innovation, and cultural relevance. His long-term vision is to elevate African voices globally—on his own terms, with creative excellence at the center of it all.

Photos

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Music

Radio Jingle Sample - Yeezy shoes, Cinderella & Prince Charming [prod. by B.Frnce]

B.Frnce
01:05

Sunday Afternoon Freestyle

B.Frnce
03:43

Quarter Century

B.Frnce
02:57

Purge

B.Frnce
02:41

Head High (B.mix)

B.Frnce
03:03

Go Brazy

B.Frnce
02:56

BEATBOX Freestyle

B.Frnce
01:49

IN HI$ IMAGE (Freestyle)

B.Frnce
02:35

The City (Freestyle)

B.Frnce
04:01

Problem

B.Frnce
02:23
B.Frnce

B.Frnce

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Videos

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Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

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