NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Crazy Fish

Crazy Fish

Bands /groups
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Profile added by Ano Shumba on 23 Jun 2016

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Lusaka, Zambia

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Crazy Fish

BIO

Crazy Fish is a Zambian music quartet with members who emerge from diverse backgrounds. The outfit is made up of Ronald Chikwase on Bass guitar, Ackim Mbao on Drums, Sam Nyambe on Keys and Sam Chitundu on Lead guitar.

Ronald started playing keyboard in 2004, at a church in Luanshya in the Copperbelt Province of Zambia called Revival Mission Centre. He moved acoustic guitar two years later (2006) then moved onto the bass guitar in 2007. He used to sing in choir at the same church. When he moved to the capital city, Lusaka to pursue further education in Music, he enrolled at Evelyn Hone College in their Music Teaching program in 2012 and in 2014 he graduated with a Music Teacher’s Diploma.

Ackim started playing drums in 2009 at a local church (Great Commission Bible Church). His inspiration stems from great gospel musicians/drummers like Calvin Rodgers, George McCurdy, Aaron Spears, Adrian Bent, Larnell Lewis, Eston Mwape and his mentor Kasonde Sunkutu. He intends to keep playing drums and to develop that as his main instrument.

Sam Nyambe is born to Zambian parents in Lancaster, Pennsylvania, the U.S. in a musical family of five, was born with a love for music and at the age of 15 began playing keyboards. His love for RnB and Black American gospel pushed him towards artists of those genre's such as Mali Music, Darrel Walls of The Walls Group and Cory Henry, where he gets his inspiration. Sam’s strengths as a keyboard player are his unique touch on the keyboard which is a blend of RnB, Classical Piano and Afro-soul. He is a ZMA 2015 Best Keyboard Player Nominee.

Born to a music teacher (his mother) Sam Chitundu’s home was constantly filled with music. After many failed attempts at learning and mastering the piano, he asked his parents for piano lessons on his 13th birthday, but his older brother convinced him to get a guitar instead. He picked it up learning from various sources: books and teachers, the most influential being Mr Charles Muyamwa who trained him mainly in the classical discipline. He spent most of his time in music playing acoustic guitar and singing at church for the youth worship team, where he learnt a lot about structure and being a team player.

He later began playing and recording guitars for Mag 44, Pompi, Abel Chungu, and Tio, and many other artists, mainly in the Gospel circles. Collectively they are known as crazy fisH. Crazy fisH was born in February of 2015.

Enter Ackim Mbao. After what felt like a Spanish inquisition, Ackim was the drummer and immediately after that the four signed to Atmosphere Music, an artist management division that manages Pompi, Flow1ne and Musubila. They are slated to release their first single before the end of 2015.

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