NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Dopekid Shewacher
Dopekid Shewacher

Dopekid Shewacher

Solo artists
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Profile added by Mndeni Mahlangu on 26 Dec 2025

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Johannesburg, South Africa

In operation since:

2018

Contact person:

Dopekid Shewacher

BIO

Nyiko Emmanuel Sambo Born and raised in the dry small town of Elim, South Africa, Dopekid Shewacher is a rising star in the world of music. He has already made a significant impact as a beat maker, producer, and vocalist, captivating audiences with his unique sound and infectious energy.

 

From an early age of 7 he was  tweaking his father's jam blaster to record vocals with downloaded beats. Dopekid Shewacher displayed a natural talent for music, drawing inspiration from his surroundings and the rich cultural heritage of his community. His passion for music led him to spend countless hours with friends, recording tracks. As an outstanding multi-Genre producer, Dopekid Shewacher has earned a reputation for his exceptional skills and innovative approach to music production. His impressive track record includes collaborations with renowned artists such as Rocksteady, Dub, Kulani, LowBass, Ms Kulie and rocksoul among others, showcasing his versatility and ability to adapt to different styles and genres.

In partnership with the GoodTimesCo, Dopekid Shewacher is on a mission to create unforgettable musical experiences and push the boundaries of creativity. Together, they are poised to make waves in the industry and leave a lasting impact on the music scene.

Since his debut in 2018, Dopekid Shewacher has released 4 EPs and a series of singles, each showcasing his evolution as an artist and his commitment to delivering music that resonates with audiences worldwide. With his unwavering dedication and boundless talent, Dopekid Shewasher is set to soar to even greater heights in the years to come, leaving an indelible mark on the world of music.

 

With a discography spanning from 2018 to 2025, Dopekid Shewasher continues to evolve as a producer, vocalist, and collaborator. His body of work reflects consistent growth, adaptability, and a clear commitment to shaping contemporary African soundscapes. 

His discography serves as a testament to his unwavering dedication to his craft and his commitment to delivering music that inspires and uplifts audiences around the world.

 

Discography: Dopekid Shewasher

“Mamakhe” (2018) – Featuring Trima

 “Mamakhe” marked Dopekid Shewasher’s official debut, introducing audiences to his infectious energy and early production sensibilities. The single laid a strong foundation for his artistic journey and signaled the emergence of a promising new voice.

“Falaza” EP (2019)

 Released in 2019, the Falaza EP reflected Dopekid Shewasher’s artistic growth and willingness to experiment across sound palettes. The project blended rhythmic innovation with melodic depth, establishing him as a producer-artist to watch.

“Only You” EP (2021)

 The Only You EP showcased a more mature and emotionally resonant side of Dopekid Shewasher. With polished production and heartfelt delivery, the project highlighted his versatility as both a vocalist and producer.

“Taste Ya Machangagne” (2022)

 Released in 2022, “Taste Ya Machangagne” further cemented Dopekid Shewasher’s reputation for genre fusion, combining contemporary African rhythms with forward-thinking production. The single expanded his audience and reinforced his innovative edge.

“KONTROL” EP (2024) – Collaborative EP with SEVYD

 Late in 2024, Dopekid Shewasher released KONTROL, a collaborative EP with SEVYD. The project represented a creative partnership rooted in experimentation, blending textures, tempos, and modern electronic influences to deliver a bold, cohesive body of work.

“DZINA” (Early 2025) – Dopekid Shewasher featuring Tea-sor & Smash Kay

 In early 2025, Dopekid Shewasher released “DZINA,” featuring Tea-sor and Smash Kay. The single showcased a refined sonic direction, balancing street appeal with commercial sensibility and reinforcing his collaborative strength.

“Dzika Nyana (DZINA Re-Up)” (Winter 2025) –

 Dopekid Shewasher, Tea-sor, Smash Kay & DJ MS Kulie

 Later in winter 2025, Dopekid Shewasher returned with a harder, re-energized version of the record titled “Dzika Nyana (DZINA Re-Up)”, featuring Tea-sor, Smash Kay, and DJ MS Kulie. The re-up delivered a more aggressive, club-ready interpretation, demonstrating his ability to reimagine his own work while keeping it culturally relevant and sonically current.

 

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