Search for music pros and content

All

Login

Artists (48,169) Organizations, Networks & Associations (4,659) Artist Service Providers (4,474) Music Education (3,174) Archives & Media (519) Events & Venues (229)

Composers, arrangers & songwriters

Session artists

Choirs, orchestras & ensembles

Magazine

News Reviews Features Themes Gig Guide

Ghana: Mr Eazi and MOLIY’s ‘Comfort’ earns Urban Music Awards nomination

Ghana: Mr Eazi and MOLIY’s ‘Comfort’ earns Urban Music Awards nomination

Nigeria: CANEX WKND unveils 2026 programme

Nigeria: CANEX WKND unveils 2026 programme

Lance Stehr brings decades of South African music to ‘Spinners’ Season 2 soundtrack

Lance Stehr brings decades of South African music to ‘Spinners’ Season 2 soundtrack

ACCES unveils stellar programme for 2026 edition

ACCES unveils stellar programme for 2026 edition

R&B collective Both Worlds targets SA market

R&B collective Both Worlds targets SA market

SA: Lelow B explores commitment, loyalty on new single ‘Imizwa’

SA: Lelow B explores commitment, loyalty on new single ‘Imizwa’

Beat FM marks 17th anniversary with industry brunch in Lagos

Beat FM marks 17th anniversary with industry brunch in Lagos

Music Business Awards Africa to honour industry professionals in November

Music Business Awards Africa to honour industry professionals in November

SA: MPASA to host webinar on mental health in the music industry

SA: MPASA to host webinar on mental health in the music industry

Deezer to let users filter out fully AI-generated music

Deezer to let users filter out fully AI-generated music

SlikourOnLife to present Toss, Touchline and Mad Buddies at ACCES 2026

SlikourOnLife to present Toss, Touchline and Mad Buddies at ACCES 2026

Berlin’s HKW to host concert and discussion honouring Fela Kuti

Berlin’s HKW to host concert and discussion honouring Fela Kuti

NEFCISA

NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES

ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work

Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED? As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund

Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project

Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

All Artists & Industry (48,678)

Artists (48,169) Organizations, Networks & Associations (4,659) Artist Service Providers (4,474) Music Education (3,174) Archives & Media (519) Events & Venues (229)

Composers, arrangers & songwriters

Session artists

Choirs, orchestras & ensembles

Magazine

News Reviews Features Themes Gig Guide

Ghana: Mr Eazi and MOLIY’s ‘Comfort’ earns Urban Music Awards nomination

Ghana: Mr Eazi and MOLIY’s ‘Comfort’ earns Urban Music Awards nomination

Nigeria: CANEX WKND unveils 2026 programme

Nigeria: CANEX WKND unveils 2026 programme

Lance Stehr brings decades of South African music to ‘Spinners’ Season 2 soundtrack

Lance Stehr brings decades of South African music to ‘Spinners’ Season 2 soundtrack

ACCES unveils stellar programme for 2026 edition

ACCES unveils stellar programme for 2026 edition

R&B collective Both Worlds targets SA market

R&B collective Both Worlds targets SA market

SA: Lelow B explores commitment, loyalty on new single ‘Imizwa’

SA: Lelow B explores commitment, loyalty on new single ‘Imizwa’

Beat FM marks 17th anniversary with industry brunch in Lagos

Beat FM marks 17th anniversary with industry brunch in Lagos

Music Business Awards Africa to honour industry professionals in November

Music Business Awards Africa to honour industry professionals in November

SA: MPASA to host webinar on mental health in the music industry

SA: MPASA to host webinar on mental health in the music industry

Deezer to let users filter out fully AI-generated music

Deezer to let users filter out fully AI-generated music

SlikourOnLife to present Toss, Touchline and Mad Buddies at ACCES 2026

SlikourOnLife to present Toss, Touchline and Mad Buddies at ACCES 2026

Berlin’s HKW to host concert and discussion honouring Fela Kuti

Berlin’s HKW to host concert and discussion honouring Fela Kuti

Projects

NEFCISA

NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES

ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work

Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED? As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund

Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project

Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Echezonachukwu Nduka

Echezonachukwu Nduka

Echezonachukwu Nduka

Solo artists

Philadelphia, United States

In operation since:

2006

Contact person:

Echezonachukwu Nduka

BIO

Echezonachukwu Nduka is a Nigerian pianist, award-winning poet, author, composer, and scholar. He focuses primarily on art music for piano by composers of African descent, particularly those from Nigeria and Ghana whose works extend the frontiers of African art music.

In 2010, Nduka graduated with a BA (Hons) in Music from the University of Nigeria, Nsukka. He received a Master of Arts degree in Music from Kingston University London (UK) in 2015. Since then, he has recorded three EPs and an album, published articles in peer-reviewed journals and creative writing in literary anthologies, presented at conferences, given public lectures and lecture-recitals, and spoken at Universities including Stockton and Harvard as an invited scholar-performer.

He has performed as a pianist and poet with support from organizations including the Intercultural Music Initiative (IMI), Somers Point Arts Commission, Ocean City Free Public Library, among others. A Booth-Ferris Graduate Fellow, his recent album ‘The African Serenades’ has been described by Afrocritik as “intense, emotive listening experience.” He is a Benjamin Franklin Fellow and PhD Student in Music Studies (Ethnomusicology) at the University of Pennsylvania, USA.

Photos

Echezonachukwu Nduka

Music

Onyeji: Oga [Maiden's Game]

Echezonachukwu Nduka

03:36

Adeogun: Ewa Wo O

Echezonachukwu Nduka

02:24

Onyeji: Ekele Diri Chineke

Echezonachukwu Nduka

04:14

Onyeji: Ufie III

Echezonachukwu Nduka

02:12

Nketia: Play Time

Echezonachukwu Nduka

01:11

Nketia: Volta Fantasy

Echezonachukwu Nduka

02:31

Echezonachukwu Nduka

Echezonachukwu Nduka

View Deezer Profile

Videos

Echezonachukwu Nduka: “Thrill” — Jazz Negotiations, p.40

Echezonachukwu Nduka: “Thrill” — Jazz Negotiations, p.40

Echezonachukwu Nduka: “Thermometer” — Jazz Negotiations, p. 82

Echezonachukwu Nduka: “Thermometer” — Jazz Negotiations, p. 82

Echezonachukwu Nduka: “Superstition” — Jazz Negotiations, p. 89

Echezonachukwu Nduka: “Superstition” — Jazz Negotiations, p. 89

African Pianism in the United States: Who is Listening? | Echezonachukwu Nduka

African Pianism in the United States: Who is Listening? | Echezonachukwu Nduka

Echezonachukwu Nduka — Musicking through the Timeline (Conference Presentation)

Echezonachukwu Nduka — Musicking through the Timeline (Conference Presentation)

Echezonachukwu Nduka - African Pianism Seminar | New England Conservatory

Echezonachukwu Nduka - African Pianism Seminar | New England Conservatory

February 19, 2025

Echezonachukwu Nduka — African Pianism in Three Perspectives

Echezonachukwu Nduka — African Pianism in Three Perspectives

February 11, 2025

Recital: Resounding African Pianism - Echezonachukwu Nduka, piano

Recital: Resounding African Pianism - Echezonachukwu Nduka, piano

August 21, 2024

Christian Onyeji: Oga |Echezonachukwu Nduka, piano

Christian Onyeji: Oga |Echezonachukwu Nduka, piano

August 21, 2024

Encore: Schumann’s Kinderszenen Op. 15 Nos. 1 & 6 | Echezonachukwu Nduka, piano

Encore: Schumann’s Kinderszenen Op. 15 Nos. 1 & 6 | Echezonachukwu Nduka, piano

August 21, 2024

Innocent Okechukwu: Oji (Kolanut) — Echezonachukwu Nduka, piano

Innocent Okechukwu: Oji (Kolanut) — Echezonachukwu Nduka, piano

August 21, 2024

Oswald Russell: Jamaican Dance No. 2 |Echezonachukwu Nduka, piano

Oswald Russell: Jamaican Dance No. 2 |Echezonachukwu Nduka, piano

August 21, 2024

Itunu Oyewale: Atewo (An African Dance for Piano)

Itunu Oyewale: Atewo (An African Dance for Piano)

August 21, 2024

Itunu Oyewale: Akeregbe |Echezonachukwu Nduka, piano

Itunu Oyewale: Akeregbe |Echezonachukwu Nduka, piano

August 21, 2024

Fred Onovwerosuoke: 24 Studies in African Rhythms No. 6 — Iroro

Fred Onovwerosuoke: 24 Studies in African Rhythms No. 6 — Iroro

August 21, 2024

Social Networks and Websites

youtube

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

Subscribe to our monthly Newsletter

Follow us on social media