NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / MetroBeatz RSA
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Giyani, South Africa

In operation since:

2018

Contact person:

MetroBeatz RSA

Contact:

0632688512

BIO

Macebele Bongani Mossetia, professionally known as MetroBeatz RSA, is a talented 20-year-old artist from South Africa, specifically from the small village of Khakhala in Limpopo, Giyani. His musical journey began at the age of 9, influenced by his brother, who introduced him to modern hip hop and house music. As an artist, MetroBeatz is distinguished by his versatility, effortlessly adapting to various genres. His initial venture into the music industry was as a hip hop artist, collaborating with notable artists such as Simefree. However, in light of the South African music industry's evolution, MetroBeatz has successfully navigated numerous transitions. A significant turning point in his career was his transition to the amapiano genre in early 2019, a move that has had a lasting impact on his musical identity up until 2024.

Over the past five years, Metro has established himself as a prolific artist, churning out an impressive array of hits. In addition to his adaptability to the evolving sound, his tracks, including “swa ku nandzika, swoboha, hlala nami, utaxi kuma,” have garnered significant attention, making him a household name in his hometown, where he is renowned as a pioneer of amapiano.

The year 2023 marked the apex of Metro's career, characterized by collaborations with renowned artists on various production projects. Notably, he produced a complete album for the legendary Penny Penny and remixed songs such as 'Sesi va rosie'. Metro also had the opportunity to tour with Penny Penny, serving as his DJ. Furthermore, his collaboration with Baba Harare from Zimbabwe on the song 'Bum Bum' resulted in an impressive 100,000 views on YouTube, signifying a major breakthrough in his career. Additionally, he collaborated with Queen Vosho from Mozambique, leading to 100,000 streams on YouTube.

Metro has established a strong online presence through his active engagement on TikTok and other social media platforms. He credits music with providing him "a family and financial stability, enabling me to afford things that were previously unaffordable." Metro has performed at numerous gigs, collaborating with prominent artists such as Makhadzi, Benny Mayengani, Penny Penny, Blaq Diamond, and Dj Tira. His career is poised for significant growth, with his hometown community expressing excitement at the prospect of seeing him on television in the future.

In August 2024, Metro released Xiluva xa mina, an amapiano hit featuring Wayne & Tango, the prominent Tsonga amapiano duo from Giyani. The song quickly gained traction, with over 7,000 videos created on TikTok and more than 50,000 streams across all platforms within a month. Xiluva xa mina has achieved remarkable success, charting on Shazam for over eight weeks and peaking at number 85 on the South African iTunes Top 200 chart, a notable accomplishment for both artists. As a result, Metro has gained widespread recognition on social media, with fans eagerly expecting new music from him. His talent has also been acknowledged by music industry professionals, who have co-signed and praised his work. A music video for the single is forthcoming, as fans have been requesting a visual accompaniment to the song.

“Until recently, I was unaware of the unique influence I possess. It appears that people are familiar with me, yet from a distance. My songwriting process involves capturing my emotions at a particular moment, while also envisioning the music video. I thoroughly enjoy creating music that is intertwined with a visual representation of the song. Some might refer to this as storytelling. As for inspiration, I must admit that I no longer draw from other artists, as I seldom listen to their music, instead focusing on my own authentic voice”

As I venture into the xigaza genre, expect an expansion of my work, featuring more music videos, sophisticated lyrics, and high-profile collaborations with fellow artists. As I solidify Giyani's presence on the map

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