NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / PressCee The Crazy Rapture
PressCee The Crazy Rapture

PressCee The Crazy Rapture

Composers, arrangers & songwriters, Other
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Bloemfontein, South Africa

In operation since:

2009

Contact person:

PressCee The Crazy Rapture

BIO

PressCee The Crazy Rapture (born, Lebitsa Lehlohonolo Lawrence in October 1997) is a South African Hip Hop Rapper based in Free State, South Africa.

PressCee was raised in a small town of Free State called Thaba'Nchu of South Africa.He finished his metric in 2015 at Phetogane Secondary School. He is also an IT: Technical Support Student as he studied for the course at Majuba TVET College in KZN. PressCee is an Hip Hop Rap Artist at FEEL MY MUSIC EMPIRE record label. PressCee is the founder of The JUJU BOYS CREW that was established in September 2011, after he found his passion and love for hip hop Rap at age of eleven years. He draws inspiration from artists such as Inspector Drugg, Future Hendrix, Rick Ross, Wale, Ace Hood and The Game.

PressCee started recording his music professionally in 2013 after a long drought of studio, BEEF Records Entertainment was his first house of recording his songs. At BEEF Records Entertainment, he worked with the likes of BONA V as the head producer of the label. PressCee has recorded with various artists such as Jay-kid, Prestige, DEO, TRACE B, GEE-LOW, CASH-FLOW under BEEF Records since 2013 to 2016.

in May 2018 PressCee was signed under lifestyle Records by Roca Fame and his management of the label. Under lifestyle Records PressCee recorded plenty of singles with some various artists such as Drail, Lil Prince and Emteejay. in between September and October PressCee released his first EP named as BETTER DAYS in feature with Drail and Palesa with poetry, this EP was Produced by FRANS CEO.

in November 2018 PressCee released his second EP called IT'S NOT ABOUT ME in feature with Drail, this EP was released unexpected due to the failure of BETTER DAYS EP mastering and mixing were not good. with his second EP he went for radio interview at Majuba online radio station and interview by DJ Chilies.

Before the release of IT'S NOT ABOUT ME EP, PressCee established his own record label known as FEEL MY MUSIC EMPIRE on the 18th of October 2018. In November 2018 PressCee became an registered artist with RISA, SAMRO and CAPPASO. On the 16th of December 2018 he launched his EP of IT'S NOT ABOUT ME at Free state in Thaba'Nchu at Rooifontein where he was born at. April 2019, he released his third EP named WHERE I COME FROM.

After he returned from China in November 2019, PressCee started to record his first album titled UM THE PRESENT OF GOD, this album was released and published by Indiefy record label from Mexico on the 10th of May.

LEBITSA LEHLOHONOLO LAWRENCE known as PRESSCEE THE CRAZY RAPTURE is the founder of FEEL MY MUSIC EMPIRE and JUJU BOYS. Memember at RISA, CAPPASO, SAMPRA and SAMRO. .

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