NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Tewodros Tedesse
Tewodros Tedesse

Tewodros Tedesse

Solo artists
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Profile added by Stanley Gazemba on 17 Jul 2015

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Addis Ababa, Ethiopia

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Tewodros Tedesse

BIO

Born and raised in Addis Ababa, Tewodros Tedesse was able to transcend age gaps and reach people from different age groups and is loved by a varied audience.

Having started music in a church choir, his big break came when he was invited to a wedding to sing Muluken Melesse’s ‘Wasa Megena'. This left a mark on his singing career.

When he started performing, he was doing cover songs of renowned artists. The feedback was encouraging for him, so his first album, ‘Lubanjaye’, easily broke the market. It did not take him that long to become a household name though. His consecutive albums ‘Eyekorekoregn’, ‘Sadulaye’ also became a huge success.

Many of his songs are like national anthems which are sang by people from different age groups, especially the song ‘Emeye Ethiopia’ was somehow unforgettable. He toured many countries, taking the stage with his unique, vivacious voice.

His fifth album, ‘Semeto Zzemale’, was also done before he left for the US, but the album was released after he arrived in Virginia. During his stay abroad, he performed in many places and also revealed in many interviews how life was not easy for him there.

Many music critics say his 1997 album, ‘Zimita’, was different from his previous ones as it was more influenced by jazz and also gave new sound to his fan.
Even though he started working on his album in 1998, the hurdles in his life got the better of him and he could not focus on his work. Returning to Ethiopia was a different phenomenon, he says. His fans, which have not seen him for the last 17 years, overwhelmed him by showing up at the airport and expressed their love by hugging and greeting him.

During his stay in Ethiopia, he performed in different venues before going back to the United States. In 2009, he established an independent studio. Now residing in the States, Tewodros performs in different venues in the States. Tewodros Tadesse, as the vice president of Yo Yo records, is aiming to represent Ethiopian music on the international stage.

His new album targets Ethiopians and the world music audience, who also have the taste for alternative music apart from the mainstream popular beats. After the album release, the artist has a plan to tour different parts of the world.

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Altesenadahum -- Tewodros Tadesse HD

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