NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Abraham Mennen
Abraham Mennen

Abraham Mennen

Solo artists
linkedin
flag-img

Johannesburg, South Africa

In operation since:

2005

Contact person:

Abraham Mennen

BIO

Abraham Mennen is a South African saxophonist, improvisor and composer.

Abraham Mennen performed his debut concerto (Scaramouche by Darius Milhaud) with the Johannesburg Symphony
Orchestra at the early age of 12 years.

Abraham Mennen attended the Royal College of Music in London obtaining a BMus First Class Honours under Kyle
Horch with the support of the Jane Melber and Michael West Scholarship, where he won the Concerto Competition as
well as the June Emerson Woodwind Ensemble Prize with the Kudo Saxophone Quartet.

During his studies in London he was a member of the London Saxophone Ensemble, performing at the World
Saxophone Congress 2009 and UNESCO Bangkok, and a member of the Roundhouse Music Collective, being recorded
by Nick Mason (Pink Floyd). He performed regularly with the National Youth Jazz Orchestra (of Great Britain), performed
as concerto soloist with the London Contemporary Orchestra and the Royal College of Music Chamber Orchestra and
performed in many masterclasses in London and Europe with international artists including Claude Delangle, Arno
Bornkamp, Frederick Hemke and Vincent David.

In 2011, he won Gold Medal at the ATKV Muziq Competition, a prestigious multi-instrumental classical music competition
in South Africa. In 2012 he won First Prize and Overall Winner at the inaugural Wakkerstroom Music Bursary
Competition.

In 2014, Abraham Mennen was awarded a double scholarship to attend the New England Conservatory in Boston where
he completed a MMus in Jazz Performance. He was further awarded the Oppenheimer Memorial Trust Scholarship to
aid his studies in the USA.

While in Boston, he performed with John Lockwood, a Berklee College of Music and New England Conservatory faculty
member and legendary bassist, at the world famous Beehive Jazz Club. He served as director and arranging composer
for the Korean music group Hapum Haneun Hama, with highlight performances being a showcase at the Museum Of
Fine Arts, Boston. He also performed several times with the Luther Gray Quartet and was a member of the ThinkinBig
Band.

In April 2016, the guitarist Joe Morris brought Abraham Mennen to New York to perform alongside him at the Evolving
Festival. Legendary double bassist, William Parker, was also in the audience and this led to Abraham being hired for his
second New York performance in the bands of William Parker at the prestigious Dizzy’s Club Coca Cola/Jazz@Lincoln
Centre.

While living in New York, Mennen performed at premier venues including Dizzy’s Club Coca Cola, the Stone, Poisson
Rouge, Roullette Intermedium, Rockwood Music Hall and BB Kings Blues Club. He has performed with luminaries such
as Oliver Lake (founding member of the World Saxophone Quartet, Guggenheim Fellow, Melon Jazz Living Legacy
Award), Hamid Drake (2017 DownBeat Percussionist of the Year) and Kidd Jordan (Ordre des Arts et des Lettres 1985,
France’s highest cultural award), to name a few. In May 2017, Abraham Mennen recorded an album with William Parker,
which also featured the South African drummer Kesivan Naidoo. He has performed in multiple Jazz Festivals in New
York, performed many times for the concert series Brooklyn Raga Massive, produced a lecture/concert for the
organisation ThinkOlio hosted at the Strand Bookstore, recorded for multiple well established bands (Escarioka,
Speakeasy Streets), recorded for films and advertisements (for the company Fall On Your Sword) and being an integral
member of the collective NoLandBands (documenting the plight of refugees through multimedia with university
performances, radio broadcasts and live streamed shows).

Abraham Mennen regularly performs and records his original compositions with his quartet and released two albums in
2019, The Really Revered Whole Story and Three Improvisations. Abraham is a founding member and musical
programme contributor of the intersectional creative and educational space, The Interim, in Cape Town South Africa. He
currently lives in Johannesburg and is both a Jazz and Classical lecturer at the University of Pretoria.

Other prominent artists Abraham has worked with are Louis Moholo, Herbie Tsoaeli, Hilton Schilder, Kyle Shepherd,
Kesivan Naidoo, Cooper-Moore, Shabaka Hutchins, Siya Makuzeni, Mandla Mlangeni, The Brother Moves On, Mandisi
Dyantyis, Bokani Dyer, Sibusile Xaba, Dizu Plaatjies, Madosini and many others.

Photos

No photos available

Music

Coming soon

Videos

Coming soon

Social Networks and Websites

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media