NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Chocco-Hymeself
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Boksburg, South Africa

In operation since:

2010

Contact person:

Chocco-Hymeself

BIO

Boitshoko Donovan Mogedi (born February 16,1992) better known by my stage name Chocco-himself. Is a South African rapper, songwriter, singer, entrepreneur, anthropologist, poet and founder of Hominids Entertainment.

My understanding of rhythm and poetry began in 2005 when I used to jot down poetry and rhyming words for fun just to see how creative I can really get with words, it became something I got used to and it became an everyday thing, I used to love to draw a lot as well.

In 2008, I met DMF, they were a crew of 4. That was when I started to learn how to flow, how to rhyme and how to breathe properly when you do so.

In 2009 the crew dispersed, I had 2 other friends who were also interested in the art of making music. That was when I started to record my first song ever at East field an area in Vosloorus, the name of the song was drummer bass.

2010 word got around in the township, that I was a rapper, people started to pay attention to my music, I was than invited to come work with a crew, the name of the crew was Turn On crew which had 3 members Thabang, L-dawg and Katlego (Groova Guluva, L-dawg and General/Soul- Gee), I did 2 songs with the crew and they became big, the name of the songs were kanti yini and and asis’bhayi.

Those songs were really loved in our township they even circulated to a point that they were big in Thokoza.

2011 I was on a solo path, I started meeting more artists, I did less music than and did more learning, I read more books, watched more documentaries.

2012 I had a sudden interest in battle rap, I was interested in the art of freestyling, being able to come up with a quotable on the spot and that’s the same year I found Hominids Entertainment.

I than started making more music, I worked on a song called Diablo featuring S.A.I.C from the vaal, one of the best songs I ever recorded.

2016 I met another producer by the name Sphiwe from Katlehong, who was venturing into making hiphop beats, He sent me one beat, I used it on a song I called No King, he later than told me that the beat was meant to be used by another person, we got into a dispute ended up not using the song and I dropped the project.

2017 a very good quality studio was opened not far from where I stayed, it was called Infrasounds, I recorded 3 songs with that studio. That very same year, I lost my mixtape writtens, two 2 quire books which were my mixtapes went missing, an iphone which had my music was also stolen at a friend’s house during a party, I had to start from scratch.

2018 was when hominids entertainment became active Katlego and Thabang (Soul – Gee and Groova Guluva) agreed to join Hominids Entertainment, we also added 2 new members, Mthunzi and Thabo (Shadow the Black Pharaoh and Riziqbeats).

That’s when I first recorded my first mixtape titled Earths Blanket which had 14 tracks on it with features from all the members of the team.

That album has a lot of my life experiences, it is a really good body of work that would give any listener an idea of what kind of soul am I, I had a lot to express because of my pre trails than released it on the 4th Of June 2018, the response was amazing.

There after I released that project a lot of people started to really support the movement, started to also network with a lot of people, actually got good reviews via my music and in August 2018 on the 8th I released another Mixtape called Blossom.

Blossom was a bit different compared to Earths Blanket, Blossom was a symbol of my becoming, I was enveloping to being a flower that’s being through the mud and now it is time to blossom, the mixtape was a bit more chilled and fun, it had quite a great vibe, people fall in love it with more than they did with Earths Blanket, Blossom had vibes, songs like Paper, Changes, Get it, Art, Things you do and people loved Art, Paper and get it the most, they even sang along to them during my performance.

In 2019, I than started working new music for that whole year. I than recorded another mixtape called Extrospection, it was a mixtape about my experiences since, I started recording music, the life I am going through, the people I meet and the challenges we face on a daily basis. It was an expression mixtape Extrospection, I wanted to share my external 2 cents about life. One of our engineers faced a predicament, a situation that led him to stop making music, he had an internal break down and his family intervened and suggested he stopped his engineering duties.

2020 I had to find a new engineer, he first gave me a beat to see we can work, I recorded the song it was called (Gimme feat Shadow the black pharaoh), After that song, we clicked and hit the ground running, I released the mixtape in March 2020, people went crazy especially for songs like Ispani, last magic, kasi livukhile, demon, lost life, murdermind, 2 sides it was a very lyrical mixtape.

Right after, I worked on more music, made a single called Ngifuna Imali, which is currently one of my biggest songs which has a music video, I released the song June 26 and released the music video 06 July 2020 it became big and circulated

Then I proceeded to work on a new project Called the Rapping Nkulunkulu which will be my latest instalment that I am planning to release, the project has been recorded and kept safe in the archives.

I released a single from that project in November 2020, the title of the single is The Rapping Nkulunkulu, which also has a music video which is yet to be released in 2021.

2021 I started working on a joint album with Niklaus our newly found producer and it’s called umshini wokuthunga, a very dope concept that I have thought of, it is going to blow people’s minds away, it has songs like Rap tennis, a totally different concept on its own, the otherside it is a very controversial song, I have grown as an artist and also as an individual and I need to also show that through my music, umshini wokuthunga, might be released later this year or early next year, I am planning to drop The Rapping Nkulunkulu this year and EP.

I happen to have my first radio interview in 2021 , I submitted a song from The Rapping Nkulunkulu project, the song is titled Organized Confusion, which was played live on radio, it was the first time ever, I had a song on of mine being played on the radio.

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