NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Jackie Ssenyonjo
Jackie Ssenyonjo

Jackie Ssenyonjo

Solo artists
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Profile added by Stanley Gazemba on 08 May 2015

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Kampala, Uganda

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Jackie Ssenyonjo

BIO

One of the best known gospel musicians in Uganda, Jackie Ssenyonjo is a Pastor’s wife and mother of three. A songwriter and choir director Jackie was raised in a protestant family with four siblings as the second of the four. She grew up in a small town in Entebbe but got her education from Kampala the capital of Uganda. She got to know the Lord on one of her visits in western Uganda in Bukinda village, Kabale town.

Jackie started singing at a teenage age in school scripture unions but later in 1999 joined Kansanga Miracle Centre church choir where she developed her music talent. The choir gained prominence both among Christian and secular circles because of their new trend of choir music ever to be showcased by a young energetic cohort.

The group became so popular among who was Jackie that one time they were named choir of the year and invited to sing at the King’s wedding, Kabaka Ronald Muwenda Mutebi. At the helm of his success and popularity were young boys and girls was Jackie Tumwebaze who later became Ssenyonjo after getting married to Pastor Godfrey Ssenyonjo.

Jackie and her two friends started a gal group called EXTANOL and produced a hit single 'Gyogenda' (Everywhere you go) eventually they split but Jackie remained on course for her desire to become an established Gospel Artist. In 2008, she launched out as a solo artist and her music hit radio stations across the country. She was a new breed of a gospel musician. The gospel music industry in Uganda has for long been sacred and limited to the four walls of the church. Hence has now gained resounding popularity among secular stations.

Jackie’s music comes with all range of styles ranging from reggae, afro beat, zouk, and R&B. In all these genres, her lyrics are wealthy with a message of hope in God sandwiched with entertainment that makes a listener desire for more. Since 2008 Jackie has produced two albums and videos 'Nandibadewa' (where would I be psalms124) and 'Ndoperagwe' (I report to the Lord) her name slowly became a household name in Uganda. Besides being a sought after musician in Uganda even in countries like Nigeria, Kenya, Rwanda, South Africa, Denmark and Sweden where she has traveled.

Being in all these countries, her music has been shaped to apply to the diverse cultures that Love to worship God with her. She has shared a stage with renowned gospel artists like KEKE from S.Africa and AITY from Nigeria. To some artists, popularity means pomp and power, but with Jackie this is nothing compared to the desire she has to preaching out for Christ with her music. She is humble, caring and sociable. You just feel warm being around her, very humorous. Most of her music is true life things she has gone through growing up from a broken family but Jesus put all the pieces together again.

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