NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Keenan Ahrends
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Johannesburg, South Africa

In operation since:

2009

Contact person:

Keenan Ahrends

BIO

Keenan Ahrends is a jazz guitarist and composer based in Johannesburg, South Africa. Having started playing the guitar at the age of fifteen, he completed his undergraduate degree in jazz performance at the University of Cape Town and the Norwegian Academy of Music in 2009. In 2019, he completed an honours degree in performance at the University of Witwatersrand, Johannesburg. During this degree, he completed research into the life and music of prominent South African jazz guitarist Errol Dyers. During his tertiary studies combined, he studied under the likes of Jon Eberson, Wayne Bosch, Eckhard Baur, Alvin Dyers, and Andrew Lilly. He was awarded a Pro Helvetia artist in residency in 2021 where he spent three months composing, recording and performing in Basel, Switzerland.

Ahrends has toured extensively both within South Africa and internationally. He has performed with prominent musicians such as Louis Moholo, Feya Faku, Thandi Ntuli, Malcolm Braff, Andile Yenana, Carlo Mombelli, Afrika Mkhize, Herbie Tsoaeli,, SOMI, amongst others. Notable performances have been at the Offbeat Jazz Festival (Switzerland), the Birds Eye Jazz Club (Basel, Switzerland), the Amersfoort Jazz Festival (The Netherlands), the Cape Town international Jazz Festival, Ocus Pocus Festival (Reunion Island), the Joy of Jazz Festival, the Edge of Wrong festival, and the Standard Bank Youth Jazz Festival. He has also performed in venues and festivals in eSwatini (formerly Swaziland), Sweden, Norway Mozambique and Nigeria.

In 2017 Ahrends released his debut album ‘Narrative’ (featuring Romy Brauteseth, Claude Cozens, Sisonke Xonti, Nicholas Williams) to critical acclaim. Ahrends released his sophmore album ‘Perseverance: live at the bird’s eye’ (featuring Romy Brauteseth , Sphelelo Mazibuko, Domenic Landofl, Lukas Thoeni) in 2022. Beyond this, he is a featured sideman on numerous prominent recording projects including those by Carlo Mombelli, Feya Faku, Thandi Ntuli, Bokani Dyer and others. As a composer, he was written extensively for his trio, featuring Romy Brauteseth and Sphelelo Mazibuko but has also written for larger ensembles, such as the Cape Town Ghoema Orchestra (commissions in 2012, 2013, 2014). Ahrends is known for his evocative musical writing, his emotive improvisation and his sensitive musicianship. He remains an important part of the emerging southern African jazz arena and his flagship sound can be heard on numerous albums and in a diverse plethora of projects.

Praise for ‘Narrative’ (2017)
“One of the most beautiful guitar releases of any recent year. […] ‘Narrative’ is the right title for an album that walks you through multiple sonic and personal meditations.”
– Gwen Ansell

Praise for ‘Perseverance: live at the bird’s eye’ (2022)
“I’ve used the term ‘Metheny-ish’ about Ahrends instrumental voice before (he may hate it…). What unites these two guitarists from very different contexts and generations is the sense of exploratory emotional space in their music. They both play music with head and heart. Ahrends prefers to see where a theme takes him, rather than mechanically stating the head and marching in a straight line from there. There’s no rush to the conclusion of the tune’s home, but rather continual invention and reformulation along the road.”
– Gwen Ansell
https://sisgwenjazz.wordpress.com/2022/05/08/keenan-ahrends-perseverance-rhythm-conversations/

Discography

Bokani Dyer – Radio Sechaba (2023)
Keenan Ahrends – Perserverance: Live at the bird’s eye (2022)
Thandi Ntuli – Blk Elijah & The Children of Meroe (2022)
Sibusiso Mashiloane – Music from my people (2022)
Feya Faku sextet- Live at the Bird’s Eye (2021)
Thandi Ntuli – Indaba Is (2021)
The Texture of Silence (2021)
Carlo Mombelli - Angels and Demons (2018)
Thandi Ntuli - Exiled (2018)
Keenan Ahrends Trio – Narrative (2017)
Amandla Freedom Ensemble - Born to be Black (2017)
Benjamin Jeptha – The Evolution of an Undefined (2017)
Zoe Modiga – Yellow the Novel (2017)
Tune Recreation Committee – Voice of our Vision (2017)
Sisonke Xonti – Iyonde (2017)
Nicholas Williams – Light and Dark (2016)
Bokani Dyer – World Music (2015)
Nomfundo Xaluva – From Now On (2015)
Thandi Ntuli – The Offering (2014)
Lwanda Gogwana – Songbook Chapter 1 (2011)

Further information and bookings:

http://www.keenanahrends.co.za/

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