NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Solo Ntsizwa Ka Mthimkhulu
Solo Ntsizwa Ka Mthimkhulu

Solo Ntsizwa Ka Mthimkhulu

Composers, arrangers & songwriters, Solo artists
linkedin
flag-img

Bryanston, South Africa

In operation since:

2014

Contact person:

Solo Ntsizwa Ka Mthimkhulu

BIO

Solo Ntsizwa Ka Mthimkhulu (born Zothile Langa) is a hip hop artist from South Africa.

‘Dreams A Plenty.’ serves as Solo Ntsizwa Ka Mthimkhulu’s debut album released on the 4th April 2014, which includes hit singles such as ‘Star Dust Remix’ featuring Hip Hop veterans Proverb and Tumi from the Volume, ‘The Frolic’ ft Kabomo & Dineo Moeketsi and ‘Back to You’ featuring the songstress Nothende.

Hype Magazine gave this album a stellar review and awarded it 4.5/5 in June 2014.

Solo Ntsizwa Ka Mthimkhulu won the coveted ‘Best New Comer Award’ for 2014 and nominated for ‘Lyricist of the Year’ at the SA Hip Hop Awards in December 2014 , off the strength of his debut album.

‘We Need A Title’ is the debut album from the BETR Gang.

BETR stands for 'Body Every Thing Right', this movement focuses on making hip-hop music that is always a correct balance of artistry, versus trying to match the current South African hip-hop landscape. BETR Gang are pushing their sound, as a collective, to the forefront and that was their intention with this movement.

An exciting aspect of this release on their website is that fans were able to purchase the album for the amount they feel the album is worth with their concept, #BETRPayAnyAmount. The idea was to place whatever kind of value you deem fit or that you are able to afford, even if it is zero Rand.

‘Dreams B Plenty’ serves as Solo Ntsizwa Ka Mthimkhulu's second studio album which includes hit singles such as ‘Overtime’ which made it to the number 1 spot on 5FM’s #TheStirUp with Ms Cosmo, ‘Poster Child’, ‘How Cool Is This Love’ featuring American-born singer/songwriter/producer Ziyon and the stand out single, ‘Jubilee No Ligamo’ climbed all the way to number 11 on the Kaya FM top 40.

Solo Ntsizwa Ka Mthimkhulu continues the story from where he left off, discussing new victories and new demons faced since stepping foot in the major league, hip hop arena.

‘Dreams B Plenty ’ tells the story of searching for a balance in a space that demands overachievers. The album paints a picture of finding a balance between, making strides and still chasing a greater goal.

EP titled ‘des DATES de TOURNEE’ (Tour Dates - France Edition), which is the 3rd offering from the digital hip hop band. The 5 track EP was released digitally on Thursday, 07 June 2018.

Solo Ntsizwa Ka Mthimkhulu and The BETR Gang have adapted an original art piece titled ‘La Petite Danseuse de Quatorze Ans’ (translated; Little Dancer of Fourteen Years) by Edgar Degas who was famous for his paintings, sculptures, prints, and drawings in Paris, France. He especially identified with the subject of dance; more than half his works depict dancers & his fame only proceeded him after his death.

The ‘Little Dancer of Fourteen Years’ was quite a controversial piece, as many peoples views on the sculpture were unfavourable. Many believed it lacked conventional beauty, was ugly and depraved. This piece became the base on how this project was threaded.

Tour Dates is the fourth offering by Solo Ntsizwa Ka Mthimkhulu and the BETR Gang.

This concept album is a collaboration project that see’s Solo Ntsizwa Ka Mthimkhulu and the BETR Gang team up with many household names in South African Hip Hop.

The album is structured in the same way that a nationwide tour would be set up. Each song on the project represents a city or region in South Africa. All the regions are also represented by a feature from an artist/artists, who originate from the said place. This further reinforces the tour’s concept.

‘C Plenty Dreams’ is the third and final installment of Solo Ntsizwa Ka Mthimkhulu Ntsizwa Ka Mthimkhulu's Dreams Series trilogy.

This project focusses on the self-awareness that Solo Ntsizwa Ka Mthimkhulu has finally gotten to in his life and career. The album speaks to Solo Ntsizwa Ka Mthimkhulu Ntsizwa Ka Mthimkhulu's interpretation of what success means to him at this stage of his life, prioritizing balance over excelling in one aspect of his being.

Following his sophomore album in 2016 (Dreams B Plenty), ‘C Plenty Dreams’ serves as the perfect conclusion to the story of an artist, from a novice to a discerning authority.
 
The album features the likes of Kwesta, Langa Mavuso, Buks and Dineo Langa.

Photos

No photos available

Social Networks and Websites

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media