NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

ACCES 2024 announces first batch of showcasing artists

27 Jun 2024 - 08:57

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The Music In Africa Foundation has confirmed the first batch of showcasing acts for this year’s ACCES music market, slated for Kigali, Rwanda, on 14, 15 and 16 November. 

Reunionese musician Aurus will showcase at ACCES 2024. Photo: Ghjuliu Mattei

The pan-African music trade show offers a platform for industry professionals from across Africa and around the globe to connect, collaborate and experience performances from emerging and established artists. Registrations for ACCES 2024 are now open on a first-come, first-served basis here.

Drawn from across the continent, the selected performing acts include Octopizzo (Kenya), Assa Matusse (Mozambique), Aurus (Reunion), Impakanizi (Rwanda), Youbana (Morocco), Bantu Spaceship (Zimbabwe), Def Mama Def (Senegal), Joel Ruti (Rwanda), Kaya Byinshii (Rwanda), Jordan Moozy (Botswana) and Zaki Ibrahim (South Africa).

Collectively, their music orbits a host of genres including jazz, hip hop, mbalax, gakondo, Afropop, soul, folk, Afro-R&B and the blues. More artists will be announced soon.

Octopizzo

Octopizzo, behind critically acclaimed albums like Jungle Fever and FUGEO, typically takes the hip hop and R&B routes. He is widely referenced for his impactful lyrics and fearless advocacy. He is the author of Refugeenius, on which he collaborated with some 20 refugees from the Kakuma and Dadaab refugee camps. He is recognised globally as an artist who has a strong passion for community outreach and youth empowerment.

Assa Matusse

Renowned for her unique sound that comprises fusions of world music, marrabenta and jazz, Assa Matusse boasts a powerful voice and even more powerful performances. At ACCES, she will perform songs from a growing catalogue, including her new album Mutchangana, which honours her father and the Bantu people.

Aurus

Bastien Picot, aka Aurus, brings a pop hybrid style that blends various sounds, starting with the maloya rhythms of his birthplace, orchestral pop, polyphonic acrobatics and synth patterns, into an energetic live act. Known for often wearing ornate headgear during his performances, he renders his music in Creole and English, making for a truly unique style that has seen him mesmerise audiences around the world.

Impakanizi

Impakanizi specialises in Rwandan gakondo music, bringing a rich cultural heritage to the stage with a modern twist. His debut single ‘Umunyabigwi’ is a prime example of this musical style. The ACCES audience will taste this boundary-pushing style first-hand, as well as ‘Ingabe’, the focus track off his debut EP.

Youbana

Youbana, who excels in playing several instruments, is best known for gems like ‘Tangra’ and ‘Chaksbili’, which employ modern elements while preserving African and Moroccan cultural heritage. He has actively participated in numerous events and festivals as well as local and regional competitions.

Bantu Spaceship

Bantu Spaceship embodies new ‘jit wave’ music, a genre that honours traditional Zimbabwean sounds while updating them with contemporary influences. The collective injects their music with with everything from synthwave to amapiano, hip hop, mbalax and funk disco.

Def Mama Def

Def Mama Def is a dynamic collaboration between two rising stars of Senegalese hip hop: Mamy Victory, known for her powerful stage presence in Dakar's urban music scene, and Defa, a sought-after R&B vocalist. Their partnership unites Senegalese cultural themes with international pulses.

Ruti Joel

Ruti Joel performs gakondo music, combining traditional Rwandan sounds with modern elements. The singer, whose Musomandera album was released in 2023, began his musical journey through an apprenticeship with the esteemed Gakondo Group. The breakthrough success of his debut song 'Diyarabi' and subsequent hits like 'Igikobwa' underscored his growing influence in the local music scene.

Kaya Byinshii

Kaya Byinshii blends soul, folk, blues and world music, inspired by her cultural roots and faith. Byinshii burst onto the music scene in 2020 with her EP Nyabyinshi, which honours Rwandese spirituality.

Jordan Moozy

Jordan Moozy is an Afropop and acoustic artist whose emotive and engaging performances have garnered him a strong following. The self-styled ‘Gen Z Afropilitan’ offers a layered, multilingual blend of R&B, pop, alté, highlife and hip hop. He is behind the De'Grace LP and is the recipient of the Best R&B and Best Collaboration Award at the 2021 Yarona FM Awards.

Zaki Ibrahim

Zaki Ibrahim, a popular live performer whose work has taken her all overEurope, brings Afro-R&B and soul music to the stage backed by a discography that showcases versatility and depth. Her collections include the Sho: Iqra in Orange (2006) and Eclectica: Episodes in Purple (2008) EPs, as well as the Every Opposite LP boasting a unique mix of hip hop, R&B, soulful jazz and spoken word.

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