NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Africa Day playlist: Echoes from the motherland

25 May 2021 - 10:33

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The story of Africa is best told by its artists. Behind classics that have documented the continent’s resilience, these creatives have provided essential components in the portrait of the continent as a cradle of rich heritage and unsurpassed beauty.

Burna Boy, Yemi Alade, Angélique Kidjo and Rex Omar.

This year, celebrations for Africa Day – formerly known as African Freedom Day and African Liberation Day, and held in commemoration of the founding of the Organisation of African Unity on 25 May 1963 – are running under the theme Arts, Culture and Heritage: Levers for Building the Africa We Want, particularly to acknowledge the efforts of the artists and cultural contributors who have shaped the continent’s image over the decades.

“The music of Africa is a big sound. It’s the sound of a community,” Afrobeat founder Fela Kuti, who after his death in 1997 is still among the continent’s most important cultural ambassadors, once said.

Music In Africa’s 2021 Africa Day playlist, curated with the help of our regional editors and published in commemoration of this special day, draws from Fela’s enduring observation of the music from these parts. Enjoy!

‘Africa, One of A Kind’ by Angélique Kidjo ft. Salif Keïta and Mr Eazi

Released only days ago, ‘Africa, One of a Kind’ is Beninese diva Angélique Kidjo’s latest ode to Africa. Set to Afrobeats, the song which opens with the cult chorus of Salif Keïta’s hit ‘Africa’, also features Nigerian singer Mr Eazi.

‘A Luta Continua’ by Miriam Makeba

Miriam Makeba’s ‘A Luta Continua’ is a constant reminder of the liberation struggle. The Mozambique-inspired song is off Makeba’s 1989 Welela album. It was written by her daughter Bongi after she attended an independence ceremony of Mozambique in 1975. "A luta continua" is a Portuguese phrase that translates to the ‘struggle continues‘ and was used by the FRELIMO movement during Mozambique’s war for independence. In the song, Makeba also makes references to other countries such as Zimbabwe, Angola, Botswana, Zambia, Namibia and South Africa. Makeba’s anthem ends in a solemn prayer: “And to those who have given their lives. Praises to thee.”

‘Born in Africa’ by Philly Bongoley Lutaaya

‘Born in Africa’ is the title track of Philly Lutaaya’s 1986 album, which the Ugandan musician released after he relocated to Sweden. “I was born in Africa / Sing my song / Music Africana,” Lutaaya, who declares his love for the continent, sings. Lutaaya remains the most celebrated Ugandan musician. He was one of the first public figures in the country to reveal that he was HIV-positive. The year of the ‘Born in Africa’ release is significant in that it saw the coming into power of Yoweri Museveni. It also marked the end of the Ugandan Bush War. Lutaaya died in 1989 aged 37, and a year later, Canadian documentarian filmmaker John Zaritsky released the Born in Africa film about the musician’s life and music.

‘African Giant’ by Burna Boy

‘African Giant’ is the title track off Burna Boy’s Grammy-nominated 2019 LP. Produced by Kel-P and Benjamz, the number, bold and unhurried, hinges on a firm message: a new African has arisen, and he is no pushover. It is also with this mindset that the Afro-fusion singer, whose next album secured Grammy glory, seeks to assert into the modern African.

‘An African’ by Rex Omar

‘An African’ is a 2018 single by Ghanaian highlife veteran and pan- Africanist Rex Omar. Rendered in Afrobeat that evokes Fela Kuti, the track unfolds both in English and French, calling for a ”one Africa” and the abolishment of the artificial borders that separate African countries. It also charges Africans to shed stereotypes and perceptions that do not engender progress and harmony on the continent, such as the inferiority complex brought about by skin colour and a colonial mentality.

‘Africa’ by Yemi Alade ft. Sauti Sol

This 2016 single is taken off Yemi Alade’s sophomore studio album Mama Africa. The track, much like the rest of the album, celebrates the continent as a shining star in the world. It also reiterates that there's no place like Africa, which the Nigerian singer and her Kenyan guests fondly call home.

‘Under African Skies’ by Paul Simon ft. Miriam Makeba

This song is from Paul Simon’s 1986 Grammy-winning Graceland album, which features some of the greatest South African names in music. Featuring Miriam Makeba, ‘Under African Skies’ is a songs that reflects a fusion of styles between US folk and traditional African music. The video below is a live version performed during The African Concert in Harare, Zimbabwe, in 1987 – a seminal event in the history of live music on the continent and beyond.

‘Mama Africa’ by Kids United ft. Angélique Kidjo and Youssou N’Dour

To support children refugees in Chad, UNICEF initiated in 2017 a collaboration between the French collective Kids United and African stars Angélique Kidjo and Youssou N’Dour. The project, a cover of Kidjo’s hit ‘Mama Africa’, was shot on the historic island of Gorée in Senegal and celebrates the beautiful and life-giving Africa sun.

‘Ifrikya’ by Labess

On ‘Ifrikya’, the Quebec-based Algerian group Labess sings about the land that heals grieving hearts and souls. On the 2014 record, the group, which merges gypsy rumba, flamenco and traditional North African music such as gnawa and chaabi, pays tribute to countries still in search of independence, to the martyrs who have fallen in their quest to defend the continent and to the young people humiliated by political despots.

‘Ifri9ia’ by Don Bigg

Taken off Don Bigg’s 2009 album Byad ou k7al (Black and White), ‘Ifri9ia’ sees the ace Moroccan rapper launching a heartfelt cry for a bruised Africa, which cries tears of blood as an unwilling witness to the sale of its treasures and resources to the highest bidder, while its children struggle to live in dignity.

‘African Jazz Mokili Mobimba’ by African Jazz

A Congolese rumba classic, ‘African Jazz Mokili Mobimba’ was composed by guitarist Déchaux Mwamba and performed by the African Jazz group created by legendary composer Joseph Kabasele, aka Le Grand Kallé. Recorded in 1961, the festive track refers to several provinces of the DRC as well as other African countries such as Ghana and Mali, which were part of the independence fever of the 1960s.

‘Afrika Yetu’ by Mbaraka Mwinshehe

This song was released by the late Mbaraka Mwinshehe after Tanzania gained independence with Julius Nyerere as prime minister in 1961. The song was a call for all African countries to unite and assist each other in the struggle for independence. Mwinshehe believed that the continent could never be free and secure until all countries were liberated. Tanzania played an important role in assisting African liberation movements such as FRELIMO in Mozambique, and Nyerere was a key figure in the struggle against foreign domination and helped to popularise the concept of Pan-Africanism. Mwinshehe was an exceptional songwriter and guitarist working in East Africa in the 1970s. He toured extensively in Kenya and Tanzania before his untimely death at the age of 34 in 1979.

‘Live and Die in Afrika’ by Sauti Sol

‘Live and Die in Afrika’ is the title track of Kenyan band Sauti Sol’s third album released in 2015. The song is an ode to Africa, its rich history and resources, and the desire for all Africans to prosper. Thematically, it celebrates the continent’s cultural diversity and talent, and reflects on the desire of Africans on the continent and in the diaspora to create prosperity and well-being for all.

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