NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Call for applications: Mophradat residency programme in Berlin

09 Jun 2023 - 11:23

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Mophradat, in collaboration with MaerzMusik in Berlin, is inviting musicians, composers, producers, sound engineers and interdisciplinary artists to submit applications for the Mophradat residency programme in Berlin, Germany, from 15 November to 15 December 2023 and 1 February to 25 March 2024.  

Applicants must be artists from or living in the Arab world. Photo: Maarten Coosemans

Artists are required to work collaboratively with the Berlin-based Ensemble Adapter on new work to be presented at MaerzMusik festival in 2024. The residency, which takes place in Berlin and remotely, offers the musician and Ensemble Adapter flexibility as they work together, encouraging innovative creation processes beyond the borders of notation and conventional presentation formats, as well as engagement with experimental and dialogical approaches to artistic work.

The invited resident will receive a monthly stipend for four-and-a-half months for the period in which they are in residence and conceiving a new work with Ensemble Adapter.

With the support of German Academic Exchange Service DAAD, the festival will host the resident in Berlin for two working sessions with the ensemble from 15 November to 15 December in 2023 and 1 February to 25 March in 2024. The musician will be provided with a living and working space in Berlin during their on-site stays, access to various studios and sites, and be introduced to peers in the city. The residency will also cover the costs of return economy travel for both trips, visa, and travel insurance, and the festival will provide the composer with a fee for the commission and concert.

Specific eligibility criteria

  • Applicants must be composers from or living in the Arab world.
  • Applicants must have at least five years of professional work experience in the field of music and/or composition locally and/or internationally.
  • Applicants must primarily engage with artistic concerns and aim towards high artistic merit.
  • Applicants must be interested in research into forms of compositional modality, including developing new notation systems, experimental dialogical music composition processes, and experimental participatory actions with the audience.

Process

  • The resident will be selected by Mophradat in collaboration with MaerzMusik.
  • All applicants, whether selected or not, will receive a response to their applications by 1 September 2023.
  • Due to the high volume of applications received and the confidentiality of the selection process, Mophradat cannot provide individual feedback explaining the reason an application was not selected.
  • Upon selection, the resident will sign separate contracts with Mophradat and MaerzMusik.
  • A narrative summary of what was achieved must be submitted to Mophradat within two weeks of the end of the residency.

Application

  • In order to prepare the application, applicants should check out the questions here.
  • Applicants can apply here before 23 July.
  • Any material sent by email will not be considered.
  • All applicants, whether selected or not, will receive a response to their applications by 1 September 2023.

Based in Berlin, Ensemble Adapter is an experimental music group led by its founders Matthias Engler (percussion) and Gunnhildur Einarsdóttir (harp). Treating music as a contemporary art form, Ensemble Adapter creates, curates, produces, workshops, and performs – both onstage and online, and focuses on collaborative work with partners of various artistic backgrounds worldwide.

Founded in 2002 by Berliner Festspiele, MaerzMusik is a festival interested in challenging the traditional dichotomy often found between “composer” and “implementer” to create a more deconstructed space of co-authoring processes of conceiving an artistic work. The festival’s programming encourages interdisciplinary approaches and cross-pollination of artistic practices that engage with and beyond the body, technology and form. It also focuses on developing new creative strategies that engage with participatory processes with the audience, questioning habitual listening and inviting new ways of experiencing music.

View the original call here.

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