NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for proposals: Concerts SA’s Music Mobility Fund

06 Feb 2017 - 14:11

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South African musicians are invited to apply for mobility funding that would offer them with opportunities to undertake live music tours inside South Africa and in SADC countries. 

Music Mobility Fund 2016 recipients. Photo: Concerts SA

The funding, administered by Concerts SA, comes in two forms: National Mobility Fund (for tours in South Africa), and a Regional Mobility Fund (for tours taking place in SADC countries, except South Africa). Concerts SA, a joint South African/Norwegian project housed under the auspices of the Stakeholder Hub within the SAMRO Foundation.

The programme is open to individuals and organisations:

  • Who can demonstrate a track record in the music sector;
  • Whose work will benefit from launching better networks – either musically/creatively or in terms of developing an audience for their work;
  • Who feature the creation of new opportunities for artists and arts professionals either in South Africa or host countries;
  • Who have not received support through the Mobility Fund in the two previous funding rounds (April 2016 and October 2016).

Grants are available to:

  • Individuals: musicians, managers, promoters, producers, agents, groups (one member will need to take the lead and have the main responsibility for managing the grant process). All people participating in the project must be over 18 years old, and hold a valid passport (only applicable for Regional touring).
  • Organisations: music organisations and businesses (both for-profit and non-profit), record labels, agencies, forums, associations, partnerships, local, regional and national organisations, groups of organisations (one will need to take the lead and have the main responsibility for managing the grant process).

In order to be eligible for a grant, you must:

  • Be a South African citizen living (or organisation operating) in South Africa;
  • Be established in South Africa;
  • Be directly responsible for the preparation and management of the project (not an intermediary).

The types of projects that may be financed are:

  • Tours and concerts: performances; country and regional tours; participation at festivals and showcases, etc. (where you are able to demonstrate that such performances will develop your professional or creative practice).
  • Collaborations: artistic collaborations between musicians that lead to live music performances.
  • Performance-based workshops.

The requirements for the National Mobility Fund are:

  • Mobility: while artists from all provinces are invited to apply for national projects taking place in any South African province(s), the bulk of the activities must take place outside the province where the artist is based. The tour schedule must include one activity in Gauteng, the Western Cape or KwaZulu-Natal.
  • No double-dipping: the project will not be eligible for additional Concerts SA funding through its partner network of venues and promoters.

The requirements for the Regional Mobility Fund are:

  • Local partners: the applicant will need to conduct his/her own research and have identified and communicated with a potential partner or host based in the country he/she wishes to work in. The partner may be an individual or organisation and must be an established musician or music professional.
  • SADC countries: the project must take place in one or more of the following countries – Angola, Botswana, Democratic Republic of Congo, Lesotho, Madagascar, Malawi, Mauritius, Mozambique, Namibia, Seychelles, Swaziland, Tanzania, Zambia and Zimbabwe. While activities in South Africa may be included as part of regional projects, the bulk of the activities must take place outside of South Africa.

The duration of the project may not be less than four days, nor exceed three months. Projects may start before the end of March and must be completed by 15 June 2017.

Non-eligible types of project include: academic research projects; scholarships and fellowships for studies or training courses; fund-raising events, such as charity galas; projects supporting political parties or religious faith; recording of albums; and music education projects.

Applicants may request:

  • Up to R45,000 ($3,380) for SADC regional projects
  • Up to R 30,000 ($2,253) for national projects

This amount must not exceed 80% of the total costs of the project. In exceptional cases, the grant may cover the entire eligible costs of the project if this is deemed essential to carry it out, and does not exceed the maximum funding that may be requested. If that is the case, the applicant must justify the request for full financing in the grant application form. Projects requesting amounts higher than the limits stated above will not be considered. Applicants are encouraged to seek additional funding and sponsorship for their project.

The items that the fund will:

  • Cover are: travel and transportation; accommodation; daily needs (per diems); hiring of backline and other music & sound equipment; artwork design; travel insurance; visas.
  • Not cover are: musicians and artists fees; hiring of venues and other spaces; buying assets, such as equipment, computers, software and instruments; general running costs and overheads; costs that are already covered by other funding.

Application process

Application forms must be completed in English and submitted with the following mandatory documents:

  • Legal documentation of the applicant: ID/Passport copy (for individuals and organisation representatives); registration documents (for companies)
  • Track record of musician or music professionals involved in the project: biography, EPK, CV, press coverage, web links, evidence of recognition awards, public appearances, etc.
  • Budget: projected income and expenditure.
  • Tour schedule including calendar of activities.
  • Letters from hosts, partners and stakeholders confirming their involvement with the project.

The Music Mobility Fund is a tour support mechanism, which offers opportunities for South African musicians to undertake live music tours. The project aims to build a vibrant and viable live music circuit in southern Africa. It also aims to develop an interest in and appreciation of live music by showcasing music performances and conducting workshops at schools.

All applications should be submitted to the following address: 20 De Korte Street, 4th Floor SAMRO Place, Braamfontein, Johannesburg, 2001. Enquiries and submissions should be submitted by email to [email protected], by fax to 086 500 7028 or by post to SAMRO Foundation. Applications submitted elsewhere will not be considered. For more information, and to download the application form, please visit the Concert SA’s website.

The deadline for the submission of applications is midnight Sunday 26 February 2017. Successful applicants will be announced before the end of March 2017. Only complete applications will be considered. You may submit multiple applications under this call, but may only be awarded one grant per Fund. Note that proposals will not be returned.

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