NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Open call: Ernst von Siemens contemporary music projects

29 Aug 2024 - 15:24

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The Ernst von Siemens Music Foundation in Zug, Switzerland, is inviting music organisations and institutions around the world to apply for contemporary music projects.

The deadline for submission is 15 September 2024. Photo: ensemble mosaik/Kai Bienert

The foundation supports festivals, concerts with premieres and revivals, composition commissions, symposia and the publication of musicological writings worldwide. Another concern of the foundation is the promotion of academies for young musicians and composers. In addition, the foundation supports educational, children’s and youth projects that open up contemporary music to a new or young audience.

Funding conditions

Applicants can only submit an application if they declare or agree to the terms for funding projects. Should an application be approved, applicants will receive a funding agreement on the basis of the funding conditions. Please read the terms for funding projects carefully before submitting an application.

Deadline for applications

  • Applications can be submitted before 15 September for projects starting at the earliest in 2025. A decision on these applications will be made by the end of the respective year.
  • Applications can be submitted before 1 March for projects starting at the earliest in the second half of 2025 (earliest in July). A decision on these applications will be made by the end of June.

Funding mode

  • Each institution can submit only one application per deadline.
  • Each institution can only be supported with one project per calendar year.
  • A maximum of three projects can be supported in three consecutive years or periods (e.g. in the case of biennials).

Applicant

  • Applications can only be made by the organising institution. Self-applications and applications from individuals are not possible.
  • The applicant stated shall be the contact person for all content-related queries. The applicant and the commercial management must be authorised signatories for the institution, as they sign the funding agreement in the case of a grant.

Online application

  • Applications can only be submitted online in German or English. Therefore, applicants must register in the foundation’s application system. Complete the online form in full using complete sentences (not bullet points).
  • Applicants can save a copy of their application and continue working on it later. It is only possible to submit the application once all obligatory fields have been completed.
  • Applicants should check their applications in the PDF view. The application will be presented to the Board of Trustees.
  • In addition to the application form and the detailed budget plan, one more file will be presented to the Board of Trustees in preparation for the meeting. This document may contain up to eight further pages and should, depending on the type of project applied for, include the following supplementary information: concert programmes, short biographies, table of contents for publications, participants and programmes for symposia and such like. Should the file exceed eight pages or fail to meet the formatting criteria, it will not be presented to the Board of Trustees for the preparation of the meeting. Applicants can upload the document in the application form.
  • The application must be submitted by the relevant deadline otherwise the application deadline shall be deemed missed. Once the application has been successfully submitted, applicants will be sent an automatically generated email confirming their application has been received in the system. Non-submitted applications will be deleted by the system once the relevant deadline has passed.

Submit an application here.

Funding sum

  • The foundation primarily covers artistic costs.
  • The foundation shall not provide full funding of projects.
  • The Board of Trustees takes into consideration how the requested funding sum relates to participation from other institutions, organisers, or foundations. At least one other institution should participate in the project within a financial framework which is similar to the amount requested from the EvS Music Foundation. If the requested funding amount is far higher than the individual financial contributions of the other project sponsors, the project cannot be supported.
  • Comparable artistic achievements should be rewarded equally, regardless of gender and origin.
  • Even if applicants are requesting support for only a part of the project, the foundation always requires a complete cost and financing plan. For example, if applicants are requesting support for a composition fee, they should submit a cost and financing plan for at least the premiere concert.

Additional material to be submitted

  • When planning events involving the performance of works by young or lesser-known composers, or when awarding commissions for compositions, exemplary scores and recordings must be submitted by the application deadline. If possible, works with larger instrumentation should be submitted and the recorded pieces and the scores should duly correspond. If unsure whether applicants need to submit material on the composers involved in the project, they can clarify this with the foundation in advance.
  • The material must be submitted online together with the application form. Applicants should use a cloud service for submitting the material. They can include the link directly in the application form.
  • The material must be permanently accessible via the cloud service. Applicants should not deposit the material as an upload and should not submit the material via a data transmission service where access is only valid for a few days. There may be a few months between the application deadline and the meeting of the board. If the material is no longer available at the time of the meeting, it will be deemed as not submitted.
  • Neither the link to the cloud service nor the material can be sent to the foundation separately and/or subsequently by email. In this case, too, the material is deemed not to have been submitted.
  • Links to homepages of composers can be added to the CVs. If only links to homepages but no separate material is sent via a cloud service, the material is considered not to have been submitted.

View the original call here.

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