NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Open call: Goethe-Institut International Coproduction Fund

02 Jul 2024 - 08:46

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Goethe-Institut is inviting professional performing artists, ensembles and initiatives in Germany and non-German-speaking countries to submit applications for its International Coproduction Fund (IKF) programme.

The application deadline is 1 September. Photo: Humphrey Gateri

IKF supports co-productions worldwide that grow out of collaborative and dialogue-based working processes in the fields of music, dance, theatre and performance art. IKF uses this fund to promote innovative productions and international cultural exchange as well as new approaches to intercultural collaboration and networking.

Conditions for funding

The funding is intended for professional performing artists, ensembles and initiatives in Germany and non-German-speaking countries in the fields of theatre, dance, music and performance art with insufficient means of their own to realise an international co-production. IKF particularly welcomes applications for funding from developing and transition countries.

Who is funded

IKF provides funding for international co-productions that are likely to be of high artistic calibre and to have some impact on the respective arts scene. Hybrid and interdisciplinary formats and the use of digital media may be important elements of these co-productions. Collective artistic development of the project is a prerequisite, which is the reason IKF doesn’t provide funding for projects that involve nothing but guest performances, tours or appearances at festivals.

Funding criteria

  • The projects for which funding is requested must centre on the performing arts (no exclusively film- or exhibition-based projects).
  • Calibre of the project
  • Standing of the participating artists in their performing arts scene.
  • Budget showing own/third-party funding and a sound financial plan.
  • Balanced project partnership, artistic collaboration.
  • At least one performance outside of Germany and, if possible, in Germany, too.
  • Project period should not exceed 24 months.

Required documents

  • Applications to the International Coproduction Fund must be submitted online in English.

Note: Proof of contact with the respective Goethe-Institut abroad must be provided for the application.

Information about the application process

The applicant or first co-producer must be an artist or ensemble from a non-German-speaking country. They are to serve as the main contact for the project, conclude the agreement with the local Goethe-Institut and manage the grant money. The applicant may be an individual or a legal entity (company, association, etc.).

IKF funding requires collaboration between at least two parties, one of whom must be an artist or ensemble from Germany. Involving third parties and other co-producers is not a prerequisite for coproduction funding, but does improve the applicant’s chances of obtaining a grant. Contacting the local Goethe-Institut in the applicant’s country is an obligatory requirement for submitting a funding application. If there is no Goethe-Institut in the applicant’s country, applicants should search for the nearest institute on the Goethe-Institut website under locations and contact colleagues there.

Incomplete and late project applications will not be considered. For enquiries about pending or previous applications, applicants should provide their application numbers.

Applications process

For 2024, it is possible to submit applications throughout the year. The application portal will be opened until 1 September 2024 and applicants can submit their applications here. Funding will be available for projects that start in 2024 and have a project duration of a maximum of 24 months.

Read the blank application form here, which provides an overview of the breakdown of the online form. Applicants should also read the explanatory notes and run down the checklist before submitting your application. Additionally, after introducing the project idea to the local Goethe-Institut abroad, this form should be completed, signed and submitted with the application.

Note: Project applications must be submitted at least three months before the start of the project.

An online tutorial will be held on 10 July from 10am to 11am and on 12 July from 5pm to 6pm CET to answer questions about the application process. Interested artists and cultural professionals can register by sending an email to [email protected].

View the original call here.

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