NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Open call: IBF Classic funding scheme 2026

27 Jan 2026 - 14:29

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The International Documentary Film Festival Amsterdam (IDFA) has opened applications for the 2026 IBF Classic funding scheme, which supports documentary filmmakers from eligible countries. Key details are outlined below.

The funding scheme supports documentary filmmakers from eligible countries. Photo: Bernard Kalu

Overview

  • The IBF Classic funding scheme provides grants for documentary projects at various stages, from development to post-production.
  • Applications are open to filmmakers who are nationals of, and live and work in, countries listed on the IBF Classic Country List.

Deadline

  • Single selection round for 2026
  • Application deadline: 10 February 2026 (23:59, applicant’s local time)
  • The usual two annual deadlines have been merged.
  • There will be no June 2026 deadline.

Funding categories

  • Project development
    • Supports research, writing and/or production of visual material.
    • Maximum grant: €7 500 per project (about $8 940).
    • Applications must be submitted by the director.
    • Funding is considered part of the director’s contribution to the financing plan.

Production & Post-production

    • Supports the realisation of the documentary.
    • Maximum grant: €25 000 per project.
    • Funding may cover filming, editing and preparation for cinema, television or other platforms.
    • Applications may be submitted by the director or producer.

General requirements

  • All directors must:
    • Hold nationality of a country on the IBF Classic Country List.
    • Live and work in a listed country.
  • Projects from Bahrain, Hong Kong, Russia, Saudi Arabia and the United Arab Emirates are eligible only if they address political or human rights issues within those countries.
  • Each project may be submitted once per category.
    • A project may apply first for Development and later for Production & Post-production.
    • Re-applications to Production & Post-production are allowed only under specific conditions.
  • Applications must be completed in English.
    • Applicants from selected countries may submit in French.
  • If selected, the grant must be spent in an IBF Classic Country List country.
  • Funding may only be used for costs incurred after the final selection date.
  • IBF Classic funding cannot be combined with the Hubert Bals Fund.
  • Documentary series, curriculum-based films, and immersive or interactive media projects are not eligible.
  • All projects must align with IDFA’s mission.

Specific requirements: project development

  • Application must be submitted by the director.
  • Grant may be used for:
    • Research
    • Writing
    • Shooting
    • Producing a visual presentation
  • Audio-visual material requirements:
    • Mandatory original material from the project (minimum 2 minutes).
    • Must demonstrate the director’s cinematic approach and access.
    • Photo presentations or reference material are not accepted.
    • English subtitles are required.
  • A previous work by the director should be submitted if available.
  • Audio-visual material must be provided via an online link and remain accessible for at least three months.

Specific requirements: Production & Post-production

  • Applications may be submitted by the director and/or producer.
  • The main producer must be based in an IBF Classic Country List country.
  • Co-productions with non-eligible countries are permitted under strict conditions.
  • Audio-visual material requirements:
    • Production stage: 3–20 minutes of footage.
    • Post-production stage: approximately 20 minutes of an edited sequence or rough cut.
    • Re-applications must include a full rough cut.
    • English subtitles are required.
  • Audio-visual material must be accessible online for at least three months.

How to apply

  • Confirm eligibility against IBF Classic requirements.
  • Submit an application via MyIDFA, including:
    • Project details and crew list
    • Logline (max. 50 words)
    • Synopsis (max. 400 words)
    • Project description (max. 1 500 words)
    • Topic summary or director’s motivation (written or video)
    • Director and producer biographies and filmographies
    • Project stage and timeline
    • Audio-visual material links
    • Implementation plan (Development applications only)
  • All application sections must be completed by the deadline.
  • Incomplete submissions will not be considered.

View the original call here.

Disclaimer: Opportunities published on this platform are provided by external organisers. While we aim to share accurate and current calls, Music In Africa is not responsible for the organisation, management or delivery of any related events or programmes.

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