NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

Ru The World: Ruger’s golden spout of sweet spots

07 Sep 2023 - 16:48

cc-img flag-img

Ruger incarnates Afrobeats’ dancehall faction and touts carefree ideals. This forms the framework for his debut LP Ru The World, a spout of sweet spots.

Ruger.

The Nigerian singer, often sporting pink hair and an eyepatch, is a creature of melody. A singles expert, Ruger, who crossed into the mainstream in 2021, owns an unsullied tone that results in moving output, as evidenced in the rousing response to his tours. But the singer, 23, also espouses a strange eloquence around adult themes, shuttled on sensuous chords and strings.

The album presents 17 songs. The sex begins on opening salvo ‘Tour’, which doubles as a lyrically rich mission statement. Anywhere he goes, the girls want to mount him, he worries (or brags). It’s like that for the rest of the album, really: anecdote after anecdote about libidinous escapades, with a fervour that calls up Jamaican dancehall vets like Vybz Kartel.

If there is one way Ru stands out, it is for its clarity in purpose. The collection, which follows three EPs, illustrates raunchiness through leading singles ‘Red Flags’ and ‘Kristy’. Understanding this is key, especially given how musicians his age, who stumble into stardom that early, tend to fixate on carnal adventures, which are a surplus of their celebrity.

The album also enjoys the advantages of harmony and great sequencing, making for fluid listening, even with its unceasing sexual frankness, often vulgar, often genuinely innovative. On the guitar-saturated ‘Kristy’, he invents similes for a woman’s soft curves, comparing them to a soft drink or freshly baked bread.

‘All My Days’, featuring Kenyan band Sauti Sol, is the most innovative track on the album, both conceptually and sonically. A beautiful salsa blend complete with shakers and a celebratory atmosphere, the track looks towards a happy future. But what is a Ruger record without the presence of the fairer gender? On this occasion, there’s the mention of his desire for “two girls for the night.”

Leading up to its release, Ruger described the project as a confessional. Amid the album’s flurry of explicit accounts, its author manages to tackle sentiments beyond the physical, albeit in remote pockets. On ‘Addiction’, possibly the closest thing to a pure love song on the album, Ruger engages in a precious dialogue with UK singer Stefflon Don. On ‘Dear Ex’, he admits he “should have done better” in past relationships.

As is customary for many albums, Ru ends on a spiritual note, with ‘Holy Ground’ where Ruger credits God as his ultimate anchor.

An early adopter of Afrobeats TikTokification, Ruger’s pop flight has been swift, catapulted by provocative runaway hits like ‘Girlfriend’, ‘Bounce’ and ‘Asiwaju’. He knows his lane and has stuck to it on the new project. However, it remains to be seen how long he can keep up with panty precepts. It is all possible, from all appearances. All things are lawful unto Afrobeats.

Artist: Ruger
Album: Ru The World
Label: Promise Land/Jonzing World
Year: 2023

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media