NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SAMRO reports ‘strong’ revenue growth for 2023

13 Feb 2024 - 14:59

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The Southern African Music Rights Organisation (SAMRO) has announced that it recorded significant revenue growth in 2023, as well as a decrease in its cost-to-income (CTI) ratio.

SAMRO CEO Annabell Lebethe.

The achievements, SAMRO said, were secured amid a challenging economic environment characterised by increased load shedding (electricity cuts), which resulted in elevated business operating costs for most licensees. In addition, the collective management organisation (CMO) said its steadfast commitment to serving its members yielded a significant improvement in overall performance.

During it annual general meeting in December, SAMRO announced that its revenue grew by 15.3%, from R514.9m ($27m) in 2022 to R593.7m in 2023.

SAMRO’s total revenue is derived from a diverse array of sources, including licence fees collected from private, public and community broadcasters, and revenue from general licensing agreements with establishments such as malls, hospitals and hotels for the public performance of music. SAMRO also generates income from distribution and streaming agreements with digital service providers and from agreements with video-on-demand platforms. Additionally, it generates revenue through licensing agreements for music used in user-generated content and collects foreign income from licensing agreements outside South Africa.

“The reduction in the cost-to-income ratio is a remarkable achievement, thanks to the implementation of prudent expenditure management strategies and operational efficiencies,” SAMRO CEO Annabell Lebethe said.

Simultaneously, the CMO successfully decreased its CTI ratio to 25% last year. “Compared to the past five years, when the organisation’s cost-to-income ratio was as high as 40%, the significant decrease to 25% in 2023 is a testament to our commitment to creating value for our members, as lower costs mean higher royalty distributions. Our target is to bring the CTI% down to 20%,” Lebethe said.

She added that royalty income generated from the use of SAMRO members’ music in foreign countries increased by 4.1% from R24.5m in 2022 to R25.5m in 2023.

“The increase signifies a positive growth trajectory in the use of SAMRO members’ repertoire internationally, emphasising SAMRO’s adeptness in successfully collecting foreign income and managing mutual relationships with sister societies as per the bilateral agreements. In addition, our new business endeavours have yielded an increase of 24.8% in licence renewals compared to 2022. The increase in revenue is particularly noteworthy as many licensees faced financial challenges amid high inflation, increased interest rates and the impact of load shedding.”

SAMRO said the increase in revenue had a significant positive impact on its total amount available for distribution, which increased by 22.2%, from R452.3m in 2022 to R552.8m in 2023. Notably, the CMO distributed R73.8m in the Television category and achieved its biggest distribution in the Radio and General category to date of R147m compared to R121m in 2022.

“We have an unwavering commitment to delivering value to our members, and as part of this commitment, we have implemented a strategic plan to enhance our efforts to increase the frequency of royalty distributions to our members. This is evident in the increase in the number of distributions from 15 in 2022 to 21 in 2023,” Lebethe said. “Our success in the previous year speaks volumes about our steadfast dedication to delivering unparalleled value to all our stakeholders and we take pride in the fact that our team’s relentless efforts have not only resulted in achieving our goals but also in meeting the expectations of our stakeholders.”

In 2019, SAMRO said it was instating measures to ensure it operated on principles of prudent financial management that would benefit its primary stakeholders. Five years later, it seems like the measures have paid off.

“We have begun to tighten the belt from within,” then SAMRO interim CEO Ditebogo Modiba said at the time. “Unfortunately, this affects the organisation’s ability to employ more personnel, but we cannot continue increasing staff at the expense of our members. This is why we have put a freeze on our headcount and reduced the use of temporary staff.”

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