NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Senegalese rappers deliver memorable concert at Muffathalle in Munich

29 May 2015 - 12:19

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Senegalese hip-hop acts Matador, P.P.S the Writah, DJ Gee Bayss and Keyti gave a memorable performance in Munich on 21 March 2015. Performing at one of the most reputable concert venues in Germany, the Dakar-based rappers thrilled fans with a performance that has been highly praised by fans and media alike.

Matador performing the hit ‘Sonn Boy’

The concert, titled Dox Dajé, was the culmination of an exchange programme organised by the Muffathalle together with Association AfriCulturban, and presented by the Music In Africa Foundation in conjunction with the Siemens Stiftung and Goethe-Institut. As part of the programme the artists spent a week working with various music professionals from Germany, notably the popular hip-hop band Blumentopf, with whom they collaborated on new material. Prolific Senegalese record producer Moussa Cire Dia was also involved in the project as composer and producer.

The performance showcased collaborative material prepared during the project as well as some of their individual tracks. A highlight was the performance of the collaborative song, ‘Welcome to the jungle’, which featured Heinemann from Blumentopf. Another memorable moment was the performance of the slow-paced song ‘Sonn Boy’ by Matador. The rappers’ indisputable talent, vibrant stage presence and clever use of visual aids made Dox Dajé a concert to remember for many years to come.

One of the biggest newspapers in Germany, the Süddeutsche Zeitung, reported that the concert was “an impressive showcase of the quality of Senegalese rap”.

“Matador is a musical jack-of-all-trades. He could effortlessly move from straight storytelling to gripping vocal improvisations, to demanding high-speed rhymes. Keyti presented himself as an adept MC, firing up the audience and delivering his rhymes with clockwork precision. P.P.S. The Writah showcased why he's regarded as one of Senegal's best new rap talents,” reported the paper.

The concert was preceded by a well-attended panel discussion that integrated a presentation of the Music In Africa portal (www.musicinafrica.net), where Senegalese hip-hop was the main focus. Panellists included German journalist and DJ Jonathan Fischer, Music In Africa Foundation Director Eddie Hatitye, Muffatwerk Director Dietmar Lupfer, AfriCulturban Director Amadou Fall Ba and Keyti.

Nathalie von Siemens, Director of the Siemens Stiftung, and Johannes Ebert, Secretary General of the Goethe-Institut, delivered keynote speeches at the event. They reiterated their organisations’ support for the Music In Africa initiative, as well as for exchange, education and the African music sector in general.

Speaking after the concert, Nathalie von Siemens said: “I was very impressed by the concert and the panel discussion in which our panellists reported on the entrepreneurial attitude of hip-hop in Senegal, taking an active part in shaping its society. This made the concert an even more powerful experience.”

Johannes Ebert added that: “The productive collaboration (between the Senegalese and German artists) revealed the ideas behind the Music In Africa project. It facilitates networks, creates platforms and establishes an understanding between the players in the immensely rich music scene in sub-Saharan Africa and those in other countries and Germany.”

“This border crossing exchange follows the Goethe-Institut's general approach of connecting cultural scenes worldwide. We are looking forward to more similar collaboration in the context of Music In Africa,” he added.

The exchange programme is scheduled to continue in June 2015 with Blumentopf and other German music professionals participating at the Festa2H festival in Dakar, Senegal.

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