NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Stonebwoy edges out Sarkodie at Ghana Music Awards

29 May 2015 - 12:29

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The 16th edition of the Vodafone Ghana Music Awards was held on Saturday 11 April at the Accra International Conference Centre in Ghana's capital.

Stonebwoy accepts one of his three awards. Photo: Facebook

The grand event was hosted by media personalities Joselyn Dumas and Nathaniel Attoh and featured live performances by Stonebwoy, Edem, Wiyaala, Mz Vee, Daddy Lumba, Sonny Badu and from Nigeria Patoranking and Yemi Alade. The biggest and most significant annual entertainment event in Ghana, the Ghana Music Awards is organized by the Musicians Union of Ghana (MUSIGA) and the Ministry of Tourism and Creative Arts and produced by event management firm Charterhouse in collaboration with telecommunications network Vodafone.

This big news this year was dancehall star Stonebwoy edging out Sarkodie in the coveted Artiste of the Year category. Stonebwoy’s victory came as a shock to some in this prized category, which is voted for by the public (40%), the GMA academy (30%) and the board (30%). Stonebwoy also picked up trophies for Reggae/Dancehall Song of the Year (‘Baafira’ ft. Sarkodie) and Reggae/Dancehall Artiste of the Year

Sarkodie, meanwhile, had seemed the favourite when the nominations were announced at the La Palm Royal Beach Hotel in Accra on Friday 27 February. He had been nominated in 10 categories, more than any other artist, but ended up only taking home three awards: Vodafone Song of the Year and Best Collaboration with Castro for ‘Adonai’, and Hiplife/Hip-hop Artiste of the Year. Ever the gentleman, Sarkodie quickly took to Facebook and Twitter to congratulate Stonebwoy, saying his achievement was “well deserved”.

The other leading nominee on the night, Edem, also picked up three awards: Best Album of the Year for Books n Rhymes, Afro-pop Song of the Year for ‘Koene’ and Best Music Video for ‘The One’, directed by Gio Of Famous Films.

A few days before the event, the GMA Industry Awards were held at the Alisa Hotel on Easter Monday 6 April. The occasion was strictly by invitation and guests were thrilled with breathtaking performances from Emelia Arthur, Efya, Ras Kuuku and Raquel. Winners of the industry awards were:

  • Gospel Album of the Year: Evangelist Diana Asamoah
  • Record of the Year: Nkwa Abodo - Koda
  • Most Outstanding Songwriter of the Year: Wiyaala – ‘Africa’
  • Producer of the Year: DJ Breezy – ‘Seiho’ by Castro ft. D-Black
  • Sound Engineer of the Year: George Forest
  • Best Traditional Artist of the Year: King Ayisoba
  • World Bank Awards for Music for Development: Nii Okai – Save A Heart Foundation
  • Instrumentalist of the Year: Frank Kissi
  • MUSIGA Merit Award: J.V. Owusu
  • Lifetime Achievement Award: Nana Ampadu

The winners at the main VGMA night on 11 April were:

  • Gospel Song of the Year: ‘Alpha & Omega’ - Selina Boateng
  • Highlife Song of the Year: ‘Yentie Obiaa’ - Daddy Lumba
  • Reggae/Dancehall Song of the Year: ‘Baafira’ - Stonebwoy ft. Sarkodie
  • Afro-Pop Song of the Year: ‘Koene’ - Edem ft. Ice Queen & Lil Shaker
  • Hip-hop Song of the Year: ‘Realer No’ - Pappy Kojo ft. Joey B
  • Hiplife Song of the Year: ‘Seihor’ - D Black ft. Castro
  • Gospel Artiste of the Year: No Tribe
  • Highlife Artiste of the Year: Daddy Lumba
  • Hiplife/Hip Pop Artiste of the Year: Sarkodie
  • Reggae/Dancehall Artiste of the Year: Stonebwoy
  • African Artiste of the Year: Patoranking (Nigeria)
  • Best Female Vocal Artiste: Wiyaala
  • Best Male Vocal Artiste: Joe Mettle
  • Best Rapper of the Year: EL
  • Best Collaboration: ‘Adonai’ - Sarkodie ft Castro
  • Best Group of the Year: VVIP
  • Best Music Video: ‘The One’ by Edem, directed by Gio Of Famous Films
  • Best Album of the Year: Edem (Books n Rhymes)
  • Vodafone Song of the Year: ‘Adonai’ - Sarkodie ft Castro
  • Best New Artiste of the Year: MzVee
  • Artiste of the Year: Stonebwoy

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