NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Qui sont les artistes internationaux nommés aux BET Awards 2025 ?

Home/Non classé/Qui sont les artistes internationaux nommés aux BET Awards 2025 ?

Le Nigeria est représenté par Ayra Starr (nominée dans trois catégories, y compris Best Female R&B/Pop Artist et Best New Artist) et Rema, le Ghana par Black Sherif, l’Afrique du Sud par Tyla, et l’Eswatini par Uncle Waffles. L’Europe n’est pas en reste avec Ezra Collective et Basky du Royaume-Uni, ainsi que Joé Dwèt Filé et SDM pour la France. Le Brésil complète cette diversité musicale avec Any Gabrielly et MC Luanna, illustrant l’ampleur mondiale et la richesse des sons contemporains.

Les artistes émergents sont également à l’honneur dans la catégorie « Révélation Internationale de l’Année », qui met en lumière les nouvelles voix qui s’imposent sur la scène mondiale. L’Afrique du Sud brille avec Dlala Thukzin et Maglera Doe Boy, tandis que la Tanzanie est représentée par Abigail Chams et le Nigeria par Shallipopi. La jeune chanteuse française Merveille y figure également. Ces nominations soulignent l’engagement des BET Awards à célébrer l’excellence noire à l’échelle mondiale et à refléter la vitalité d’une scène musicale internationale en constante évolution.

Dans les autres catégories, les artistes hip-hop dominent les nominations. Le rappeur Kendrick Lamar, qui continue de surfer sur la vague de son beef avec Darke, est en tête des nominations avec 10 nominations. Il est suivi de près par Doechii, nouvelle figure du rap féminin US, Future, Glorilla et Drake.

Album de l’année

Drake and PartyNextDoor – $Some $Sexy $Songs 4 U
Chris Brown – 11:11 Deluxe
Doechii – Alligator Bites Never Heal
Beyoncé – Cowboy Carter
GloRilla – Glorious
Kendrick Lamar – GNX
The Weeknd – Hurry Up Tomorrow
Future and Metro Boomin – We Don’t Trust You

Meilleure artiste féminine R&B/Pop
Ari Lennox
Ayra Starr
Coco Jones
Kehlani
Muni Long
Summer Walker
SZA
Victoria Monét

Meilleur artiste masculin R&B/Pop
Bruno Mars
Chris Brown
Drake
Fridayy
Leon Thomas
Teddy Swims
The Weeknd
Usher

Meilleur groupe
41
Common and Pete Rock
Drake and PartyNextDoor
FLO
Future and Metro Boomin
Jacquees and Dej Loaf
Larry June, 2 Chainz, The Alchemist
Maverick City Music

Meilleure collaboration
SZA ft. Kendrick Lamar – 30 For 30
Doechii ft. JT – Alter Ego
Teddy Swims ft. Giveon – Are You Even Real
Dee Billz ft. Kyle Richh, Kai Swervo, KJ Swervo, Beckham
Lil Wayne, Wheezy, Young Thug – Bless
Future, Metro Boomin, Kendrick Lamar – Like That
Kendrick Lamar and SZA – Luther
Tyler, The Creator ft. GloRilla, Sexyy Red, Lil Wayne – Sticky
The Weeknd ft. Playboi Carti – Timeless

Meilleure artiste féminine Hip-Hop
Cardi B
Doechii
Doja Cat
GloRilla
Latto
Megan Thee Stallion
Nicki Minaj
Rapsody
Sexyy Red

Meilleur artiste masculin Hip-Hop
BigXThaPlug
BossMan Dlow
Burna Boy
Drake
Future
Kendrick Lamar
Key Glock
Lil Wayne
Tyler, The Creator

Vidéo de l’année
Key Glock – 3AM in ToKEYo
Shaboozey – A Bar Song (Tipsy)
Kehlani – After Hours
Doechii – Denial is a River
Drake – Family Matters
Kendrick Lamar – Not Like Us
The Weeknd ft. Playboi Carti – Timeless
Future, Metro Boomin, Travis Scott, Playboi Carti – Type Shit

Réalisateur de l’année (vidéoclip)
Anderson .Paak
B Pace Productions & Jacquees
Benny Boom
Cactus Jack
Cole Bennett
Dave Free & Kendrick Lamar
Dave Meyers
Foggieraw
Tyler, The Creator

Meilleur artiste de l’année
41
Ayra Starr
BigXThaPlug
BossMan Dlow
Dee Billz
Leon Thomas
October London
Shaboozey
Teddy Swims

Prix Dr. Bobby Jones pour la meilleure chanson Gospel/Inspirante
Common and Pete Rock ft. Jennifer Hudson – A God (There Is)
Pastor Mike Jr. – Amen
Fridayy – Better Days
Yolanda Adams ft. Sir The Baptist & Donald Lawrence – Church Doors (Terry Hunter Remix)
Maverick City Music, Jordin Sparks, Chandler Moore & Anthony Gargiula – Constant
Tamela Mann – Deserve to Win
Rapsody – Faith
GloRilla ft. Kirk Franklin, Maverick City Music – Rain Down on Me

Prix du public (Viewer’s Choice)
Chris Brown – Residuals
Doechii – Denial is a River
Drake – Nokia
Future & Metro Boomin ft. Kendrick Lamar – Like That
GloRilla – TGIF
Kendrick Lamar – Not Like Us
Kendrick Lamar & SZA – Luther
Latto – Brokey

Meilleur artiste international
Any Gabrielly (Brésil)
Ayra Starr (Nigeria)
Bashy (Royaume-Uni)
Black Sherif (Ghana)
Ezra Collective (Royaume-Uni)
Joé Dwét Filé (France)
Mc Luanna (Brésil)
Rema (Nigeria)
SDM (France)
Tyla (Afrique du Sud)
Uncle Waffles (Eswatini)

Révélation internationale de l’année
Abigail Chams (Tanzanie)
Ajuliacosta (Brésil)
Amabbi (Brésil)
Dlala Thukzin (Afrique du Sud)
Dr Yaro (France)
KWN (Royaume-Uni)
Maglera Doe Boy (Afrique du Sud)
Merveille (France)
Odeal (Royaume-Uni)
Shallipopi (Nigeria)
TxC (Afrique du Sud)

Prix BET Her

Mary J. Blige – Beautiful People
Beyoncé ft. Tanner Adell, Brittney Spencer, Tiera Kennedy & Reyna Roberts – Blackbird
Doechii – Bloom
Tems – Burning
Cynthia Erivo ft. Ariana Grande – Defying Gravity
Summer Walker – Heart of a Woman
Tems – Hold On
FLO & GloRilla – In My Bag

Vous pouvez consulter la liste complète des catégories et des nominés ici.

 

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