NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Botswana government issues warning after concert death, violence

19 Sep 2017 - 12:05

cc-img flag-img

The Botswana government has warned music promoters that it will ban music festivals if they continue to pose a threat to the public. The statement was made following the death of a student and numerous violent incidents at the concluding event of the Gaborone International Music and Culture Week (GIMC) on 2 September.

Minister Thapelo Olopeng said the government would be monitoring events at the Botswana National Stadium.

University of Botswana student Nametso Bogopa, 20, was crushed to death in a stampede when a large crowd of people forced their way inside the Botswana National Stadium where Mafikizolo, Cassper Nyovest and Prince Kaybee were performing.

Prior to warning the promoters, the Botswanan government had declared a ban on concerts at the National Stadium via a memo signed by the office of the president.

In a U-turn yesterday, Minister of Youth Empowerment, Sports and Culture Development Thapelo Olopeng told members of the media that all concerts that had already been booked for the Botswana National Stadium would go ahead as planned.

“The fact that festivals that have already been booked for the rest of the year will continue as scheduled should be a wake-up call – this means that we will be monitoring the situation with these events,” Olopeng said.

“Should we have anything like this again I will come back here and cancel music festivals for two years if I have to, so that it gives you and me time to come up with strategies that safeguard the lives of music lovers and supporters.”

He said Bogopa’s death was not the only serious incident that occurred at the concert.

“The truth of the matter is that what happened at the stadium is not something to be proud of. It resulted in the loss of a precious life, numerous rape incidents and damage to property.

“To make matters worse, the preliminary report I have is that the National Stadium is not in a state which according to international standards allows use by the sporting codes it was initially built for.”

Asked who would be held accountable for the damage, Olopeng said: “Definitely not the government. Yes, when we get into a contract with event organisers there is a security fee that we charge them but if the damage exceeds the amount we had charged as security then the event organisers would have to pay the balance. At the moment we cannot really quantify the damage but we will have those figures soon.”

Botswanan media outlet Mmegi Online reported on 5 September that the police were also investigating six stabbings that occurred at the event. Central Police Station commander Superintendent Vincent Pitseetsile said there was a stampede at one of the stadium’s gates.

“The event attracted multitudes. I witnessed the stampede. We tried to calm the situation but it was not easy because people flocked that gate in huge numbers. Investigations on the matter are ongoing,” he said.

“Six people sustained injuries after they were stabbed with knives while resisting with their phones and fighting with thieves in the process. Some were stabbed while chasing thieves who had snatched their phones. Luckily, the victims who were stabbed survived with minor injuries and were taken to hospital where some were discharged.”

Olopeng said the Botswana government was in the process of building venues designed to host concerts and festivals.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media