NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Playlist: Africa’s 2022 Grammy Awards nominees

09 Dec 2021 - 12:41

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Africa’s presence at the Grammy Awards, music’s biggest night, continues to grow with each edition. At the 64th annual ceremony slated for Los Angeles on 31 January, Africa has some nine nominees, mainly in the Best Global Music Album and the newly introduced Best Global Music Performance categories.

Wouter Kellerman, Angélique Kidjo, Rocky Dawuni and Wizkid are among the African musicians nominated at the 64th Grammy Awards.

Two-time nominee Rocky Dawuni attributes this feat to the internet’s role in democratising music distribution and eliminating gatekeepers, adding that it testifies to the fact that African music has “always had that power.”

In the past few years, Beninese great Angélique Kidjo and Afrobeat ambassador Burna Boy have served as the continent’s main representatives. The 64th Grammys will be the edition with the most nominees from Africa, across a trusted old guard and brilliant new voices.

Angélique Kidjo (Benin)

No stranger to the awards, Kidjo is Africa’s most successful Grammy artist with four awards to her name. At next year’s ceremony, she will be up for three awards, largely off the strength of her Mother Nature album, which follows Kidjo’s 2019 Grammy Award-winning album Celia. Mother Nature scored a nomination in the Best Global Music Album category, while the Burna Boy-assisted ‘Do Yourself’ and her performance with US cellist Yo-Yo Ma have been shortlisted in the Global Music Performance category.

Burna Boy (Nigeria)

Afro-fusion star Burna Boy currently holds the title of Best Global Music Album. Since 2019, the singer has maintained a continual presence at the awards – as a performer, nominee and winner. Burna Boy’s third straight Grammy’s nomination comes via his appearance on Angélique Kidjo’s ‘Do Yourself’. Six years ago, on the Grammy stage, Kidjo spoke of a new generation of African artists taking the world by storm. Burna Boy, among the names on Kidjo’s mind, has now grown into full bloom. This year, he is also credited on Album of the Year nominee Justin Bieber’s Justice (Triple Chucks Deluxe) offering.

Wizkid (Nigeria)

Now an undeniable global force and Afrobeats poster child, Wizkid’s Grammy nomination comes as no surprise. His year has been propped by the widespread success of Afrobeats in general and ‘Essence’ in particular, which Rolling Stone recently adjudged as the best song of 2021. That song is taken from his landmark 2020 album Made in Lagos. Both song and album are up for Grammys: ‘Essence’ for Best Global Music Performance and Made in Lagos: Deluxe Edition for Best Global Music album. ‘Essence’ features another African superstar in the making, Tems, who recently made BBC Radio 1’s annual Sound of 2022 longlist.

Femi and Made Kuti (Nigeria)

Completing the Nigerian party at the 64th Grammys are Fela Kuti scions Femi and Made Kuti, who have scored a Best Global Music Album nomination for their Legacy+ double album. Femi’s ‘Pà Pá Pà’, which is off the same offering, is also up for Best Global Music Performance. While this is Made’s Grammy initiation, it merely marks a return for Femi, who will be heading to the awards for the fourth time since his first nomination in 2012.

Wouter Kellerman (South Africa)

Accomplished South African flautist and composer Wouter Kellerman returns to the Grammys for his efforts on Pangaea, a collaboration with American composer and music producer David Arkenstone. Pangaea is in the running for Best New Age Album. Kellerman, whose name also appears in the credits for Mythologies by Sangeeta Kaur and Hila Plitmannalready in the Best Classical Solo Vocal Album category, holds a Grammy Award for his 2014 album Winds of Samsara. In 2015, his Love Language offering was nominated in the Best Contemporary Instrumental Album of the Year category.

Black Coffee (South Africa)

Internationally renowned South African electronic music act Black Coffee has secured a nomination in the Best Dance/Electronic Album category for his latest album Subconsciously. The veteran house DJ, songwriter and producer, whose career began in the early '90s, will look to fend off competition from fellow producers Illenium, Marshmello, Sylvan Esso, house outfit Ten City and EDM trio Major Lazer.

Rocky Dawuni (Ghana)

‘Afro-roots’ maestro Rocky Dawuni is Ghana’s sole nominee at the 64th Grammys. The artist, who secured his first Grammy nod in 2019, makes a return with his Voice of Bunbon Vol. 1 EP. Dawuni told Music In Africa that the eight-song collection was inspired by an undying vision to “present a globalised version of African culture.”

For the full list of nominees visit the Grammy Awards website.

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