NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Open call: Proposals for creative entrepreneurship programme in Zimbabwe

13 Dec 2023 - 15:08

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The Public Diplomacy (PD) section of the US Embassy in Zimbabwe has announced an open competition for creative entrepreneurs to realise their full economic potential and build connections with their US counterparts. 

The call is courtesy of US Embassy in Zimbabwe. Photo: X

The PD section invites proposals from non-profit organisations, civil society organisations, academic institutions and US government alumni to design and implement a creative entrepreneurship programme that increases the use of online platforms and technology, improves business acumen, and celebrates cultural heritage, identity and diversity.

The programme should expand opportunities to develop institutional capacity, promote financial sustainability of creative and cultural organisations and build networks of independent creative and cultural organisations to make the sector more profitable for its diverse members.

A compulsory component of all programme proposals is to build ties and relationships between the United States and Zimbabwe. Proposals must have a strong, central, American element, or connection with American expert(s), organisation(s), or institution(s) (separate from involvement with the US Mission or its American Corners).

The partnerships should be mutually beneficial and reinforcing. Opportunities for engagement and partnerships can be virtual or physical. The PD section will support new or existing initiatives. Confirmed partners are not compulsory at the application stage. However, applicants must describe how the US component will enhance the programme. Indications of targeted artists and partners are sufficient for shortlisting.

Programme objectives

All proposals must meet the following objectives:

  • Facilitate the development of Zimbabwe’s creative economy for institutional and/or creative industry sustainability, inclusion and professionalism.
  • Strengthen collaboration and build networks between Zimbabwe and US creative enterprises with an emphasis on long-term relationships and sustainability. Partnerships should facilitate creation of content that attracts and retains significant and diverse audiences in an equitable manner between Zimbabwe and the United States.

Proposals can also include the following deliverables:

  • Increased use of digital technologies and e-commerce platforms in the creative and cultural industries. The PD section encourages initiatives that harness a range of digital technologies in creation, production and distribution of the arts.
  • Safeguard and celebrate cultural heritage, identity and diversity including addressing intellectual property rights. The PD Section encourages projects that profile and promote defined elements of Zimbabwean and American communities’ cultural heritage.
  • Equip participants with skills and knowledge to build sustainable creative businesses including business planning, scaling up, exploring US business models and networking. Projects should contribute to increasing the sustainability of local level creative economies.
  • Share information about how to organise and manage international artistic tours, including requirements for US tours, with monetary, logistical, and partnership elements covered.

Participants and audiences

Proposals must engage with Zimbabwean creative and cultural organisations as well as audiences. Programmes can promote inclusivity by targeting women, youth, people living with disabilities, and rural communities. Successful projects will facilitate US and Zimbabwean citizen participation in the cultural life of their community.

Federal award information

  • Length of performance period: 12 to 18 months from date of award.
  • Number of awards anticipated: two to three awards.
  • Award amounts: $24 000.
  • Total available funding: $50 000.
  • Type of funding: 2024 Public Diplomacy Funds – Smith-Mundt.
  • Anticipated programme start date: September 2024.
  • Funding instrument type: Grant, fixed award amount or cooperative agreement.

Eligibility information

The following organisations are eligible to apply:

  • Zimbabwean or US media organisations
  • Civil society
  • Academic institutions
  • Non-governmental organisations.

Applications from individuals will also be considered.

Note:

  • Cost Sharing: Cost sharing is not required but encouraged.
  • Registration: In order to be eligible to receive an award, all organisations must have a Unique Entity Identifier (UEI) number issued via www.SAM.gov as well as a valid registration on www.SAM.gov.

Application and submission information

To request the application package, email [email protected] before 16 February 2024 and an automatic reply with the application forms will be sent. Forms are also available at www.grants.gov

Content and form of application submission

The proposal should:

  • Clearly serve the goals and objectives of this funding opportunity.
  • Be specific and concise in describing the who, what, why, when, where, how and cost aspects of the project.
  • Provide all documents in English, and include a budget narrative and a budget table in US dollars breaking down costs per unit rates, quantities as well as totals.

“If the Zimbabwean creative community increases use of digital technologies, online platforms, and e-commerce, builds networks with US creative enterprises, and equips practitioners with skills and knowledge, they would be better positioned to build a professional and financially sustainable creative industry in Zimbabwe that benefits the global creative economy, including the United States,” reads a statement. “This programme supports the US Department of State’s Public Diplomacy efforts to build a more stable, inclusive economy for the Zimbabwe creative industry.”

All questions about the grant application process, should be shared via email at [email protected].

For more information about this call, download the original call below.

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