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Kenya: Tommy WÁ and Labdi to perform in Nairobi as part of MobiArts Tour

Kenya: Tommy WÁ and Labdi to perform in Nairobi as part of MobiArts Tour

Roster launches Star Power tool to compare artists using public music data

Roster launches Star Power tool to compare artists using public music data

Egypt: TooFuse release debut album ‘Earth’ after Montpellier performance

Egypt: TooFuse release debut album ‘Earth’ after Montpellier performance

Sacem, Deezer launch professional music service for independent businesses

Sacem, Deezer launch professional music service for independent businesses

Benin: SIMA to hold third edition in November

Benin: SIMA to hold third edition in November

Uganda: Afrigo Band co-founder Moses Matovu dies aged 77

Uganda: Afrigo Band co-founder Moses Matovu dies aged 77

South Africa to launch Creative Biz Fund for creative enterprises

South Africa to launch Creative Biz Fund for creative enterprises

SA: Bassline co-owner Paige Jean Holmes dies

SA: Bassline co-owner Paige Jean Holmes dies

Egypt: TUL8TE announces six-date North American tour

Egypt: TUL8TE announces six-date North American tour

Visa appoints Fally Ipupa as face of Visa Pay in Democratic Republic of Congo

Visa appoints Fally Ipupa as face of Visa Pay in Democratic Republic of Congo

African Muzik Magazine Awards 2026: Davido, Tems and Phyno among winners

African Muzik Magazine Awards 2026: Davido, Tems and Phyno among winners

London man jailed over UK’s largest counterfeit vinyl seizure

London man jailed over UK’s largest counterfeit vinyl seizure

NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Music In Africa
Home / Artists & Industry / Gute Gute
Gute Gute

Gute Gute

Bands /groups
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Tel Aviv, Israel

In operation since:

2015

Contact person:

Gute Gute

BIO

Gute Gute is a band from Israel.

Drawing on their experience of playing nearly 1000 shows over the last decade, Gute Gute brings a tremendous dose of positive energy, cutting-edge flavors and pulsing rhythms to the stage. Exuberant and flamboyant frontman Aviv Kest, a dynamic lead-vocalist who also plays guitar and the Greek bouzouki, serves as the focal point in engaging with the crowd. The melodic side is kept on-lock by Amitai Mann, a clarinet and saxophone virtuoso who also brings out the Bulgarian bagpipes to really get things moving, and Yanush Hurwitz, whose mastery of the accordion is only rivaled by his abilities on the fabled Keytar. The crack rhythm section consists of classically-trained drummer/percussionist Meir Yaniger, whose versatility, rock-solid timing and intricate grooves keep everything grounded, and charismatic bassist Meidad Cohen, a master of both the acoustic, upright bass and electric bass guitar.

This is Gute Gute, Israel’s premier ethno-pop party rockers - a real band of brothers possessed of an adventurous musical drive, forever expanding creatively and professionally. With their loyal and close fanbase, exemplary use of social media and history of international travel and collaborations, Gute Gute is an ensemble poised to conquer the next challenge while leaving a trail of sweaty, satisfied crowds in their wake.

“Gute Gute, for those who are unfamiliar, are a colorful Mediterranean - Balkan - band in which each member of the band plays more than one instrument and together they create sounds that will make you move exactly to the beat. This is music that is all about a rhythmic party experience that is hard to describe in genre patterns, something you do not want to miss, and even if you happen to listen to this wonderful group on the recording - one of the reasons to wait for the end of the quarantine is the live performance of this thing.” (Simu Ozen Magazine, October 2020).

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Music

Gute Gute

Gute Gute

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SoundCloud
GUTE GUTE

GUTE GUTE

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Videos

Sharkiya by GUTE GUTE

Sharkiya by GUTE GUTE

September 18, 2024
Muiñeira do Chao - Xosé Manuel Seivane :: Gute Gute Live Nocturno JLM 22.7.24

Muiñeira do Chao - Xosé Manuel Seivane :: Gute Gute Live Nocturno JLM 22.7.24

July 31, 2024
כמה טוב (גרסת רדיו) Kama Tov - Radio Edit:: גוטה גוטה GUTE GUTE

כמה טוב (גרסת רדיו) Kama Tov - Radio Edit:: גוטה גוטה GUTE GUTE

April 24, 2024
אין לך מה לדאוג (תחתונים וגופיות) ביצוע חי באולפן

אין לך מה לדאוג (תחתונים וגופיות) ביצוע חי באולפן

January 5, 2024
אביב מספר על איך הגיע הרעיון לפרויקט החדש ובדרך כמעט מאבד את זה מרוב התרגשות #music

אביב מספר על איך הגיע הרעיון לפרויקט החדש ובדרך כמעט מאבד את זה מרוב התרגשות #music

December 28, 2023
בכיכר החטופים עם הקול של דני ברקע🎗️מחכים שיחזרו כולם🙏 #bringthemhomenow @mayaavrahammusic

בכיכר החטופים עם הקול של דני ברקע🎗️מחכים שיחזרו כולם🙏 #bringthemhomenow @mayaavrahammusic

December 21, 2023
מחכים לכם 🎗️עם מאיה אברהם בכיכר החטופים @mayaavrahammusic #bringthemhomenow

מחכים לכם 🎗️עם מאיה אברהם בכיכר החטופים @mayaavrahammusic #bringthemhomenow

December 17, 2023
יום שישי בכיכר החטופים עם מאיה אברהם ברגע של דמעות בגרון@mayaavrahammusic #bringthemhomenow

יום שישי בכיכר החטופים עם מאיה אברהם ברגע של דמעות בגרון@mayaavrahammusic #bringthemhomenow

December 17, 2023
גוטה גוטה עם מאיה אברהם ודני קושמרו מחדשים את תחזור תחזור של משינה

גוטה גוטה עם מאיה אברהם ודני קושמרו מחדשים את תחזור תחזור של משינה

December 10, 2023
תחזור תחזור - מאיה אברהם, דני קושמרו וגוטה גוטה

תחזור תחזור - מאיה אברהם, דני קושמרו וגוטה גוטה

December 10, 2023
שים שלום :: חנן יובל וגוטה גוטה

שים שלום :: חנן יובל וגוטה גוטה

September 11, 2023
The Mantra from Intimidbar 2023

The Mantra from Intimidbar 2023

September 3, 2023
הימים שעוד נכונו לנו :: חנן יובל וגוטה גוטה

הימים שעוד נכונו לנו :: חנן יובל וגוטה גוטה

August 28, 2023
נועה // Noa גוטה גוטה עם אילן בר לביא

נועה // Noa גוטה גוטה עם אילן בר לביא

July 13, 2023
BATARYA - Gute Gute feat. Dj AbasS

BATARYA - Gute Gute feat. Dj AbasS

July 3, 2022

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