NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

British-Ghanaian rapper Sway DaSafo dies aged 44

18 Sep 2026 - 04:21

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Award-winning British-Ghanaian rapper, producer and UK hip hop pioneer Sway DaSafo has died aged 44.

Sway DaSafo.

The musician, born Derek Andrew Safo, died at his home in Ghana on, 17 September 2026, according to a close friend who confirmed his death to The Guardian. His passing was also announced by his friend Kream on Instagram and by the MOBO Awards. The cause of death has not been disclosed.

DaSafo died less than two weeks after his 44th birthday on 5 September.

The MOBO Awards paid tribute to the rapper, who made history in 2005 by becoming the first unsigned artist to win Best Hip Hop Act at the awards. “Proud to have him as part of our history. Our love goes out to his family, loved ones and fans,” the organisation said.

Tributes have since emerged from artists and music industry figures. Malawian rapper and producer Phyzix wrote: “Thank you for the music, the inspiration and the history, Sway. My deepest condolences to his family, friends and everyone who loved him.”

British band UB40 also paid tribute to the rapper, describing him as “a generational talent, visionary, trailblazer and pioneer” and thanking him for his contribution to the group’s music.

DaSafo was born in London to Ghanaian parents and became one of the notable figures in the development of British hip-hop during the 2000s. His music incorporated elements of hip-hop, grime and other strands of UK urban music, while his Ghanaian heritage also informed his connection to African music.

He began making music after developing an interest in English literature, music production and public speaking. His early work included the This Is My Promo series, before he released his critically acclaimed debut album, This Is My Demo, in 2006. The album was subsequently shortlisted for the Mercury Prize.

In 2006, DaSafo founded Dcypha Productions, through which he worked with emerging and established artists. His career included collaborations with international acts including Mark Ronson, Childish Gambino, Lupe Fiasco and Akon, as well as Ghanaian artists such as Sarkodie and Edem. He also appeared on Lupe Fiasco’s 2011 album Lasers.

DaSafo signed with Akon’s Konvict Music in 2008, expanding his activities beyond the UK and strengthening his links between British and West African music. Through Dcypha Productions, he also supported emerging artists, including helping to develop the careers of younger acts.

His influence extended beyond recording and performing. He worked as a producer and executive and remained involved in developing new talent, while his music accumulated more than a billion streams across digital platforms, according to biographical information supplied about his career.

DaSafo also maintained strong links with the African music industry. In 2019, he spoke at the Music In Africa Conference for Collaborations, Exchange and Showcases (ACCES) in Accra, Ghana, where he appeared alongside Nigerian artist and entrepreneur Banky W.

Following the conference, DaSafo spoke to Music In Africa about the growing international influence of Afrobeats and his belief that the genre’s global rise was inevitable.

“It’s inevitable,” he said. “The world moves in trends.”

He also pointed to the influence of dancehall and other Caribbean-derived sounds on music trends in the UK.

DaSafo had continued to work on new music and creative projects in the years leading up to his death. His planned Chapters album, originally scheduled for release in 2020, was intended to be accompanied by a book and short film.

His death has prompted tributes across the UK and African music communities, with artists and industry figures reflecting on his role in the development of British rap and his connections to Ghanaian and wider African music.

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