NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Black is Gold Festival
Black is Gold Festival

Black is Gold Festival

Artist managers, Bands /groups, Festivals
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Kaduna, Nigeria

In operation since:

2018

Contact person:

Black is Gold Festival

Contact:

08063638020

BIO

Black is Gold Festival is an Afrocentric Festival in Kaduna, Nigeria.

Nigeria is a heterogeneous land with multiple ethnic groups and few religions. A country where one can encounter the good, the bad and the ugly pending on the criteria one is in search of. Nigeria is a microcosm of Africa. Africa, a land with abundant resources where you simply scatters seeds and harvest fruit and a place where everyone is a friend and welcome guest. A place where stories are told under the stars and songs are sung around fire. A land blessed with a beautiful culture and a great sound of music sung by our thick African lips accomapanied by the continuous beating of our fingers on the end product of an animal to spice up the rhythm. Our clothings were made from connected strings of threads supported by rods planted to the soil and we wore them with pride. Africa whose music is mostly displayed at night and among these so-called "backward" and "primitive" people (Africans), lies genuine happiness. An Africa blessed with lovely weather and when shown to the world, many cannot quite fathom. A land where our mothers will cook and will always take account of extra people who may visit unannounced, and all these only because everything in Africa is in abundance.
But all of these is only nostalgic. A feeling that one may wish to have again but cannot because these Africa, is suffering under cultural enslavement. Cultural enslavement is even more dangerous than colonialism or slavery because it is perpetrated by African leaders. Africans have in no time adopted the ways of the West: Western lifestyle, dress, food, religion e.t.c without even thinking whether or not it is good for them. Meanwhile on the other hand the Western world is doing all it can to preserve it's culture because it knows how important cultural identity and pride is. It is pathetic to see that cultural heritage and. Pride is lost not only in architecture, design, dressing, food e.t.c particularly when it is driven by leaders and churches. Africa where it's museums are now dilapidated, where local languages are forbidden in schools. Culture and history are undocumented because it was only passed on to generations after via the words of mouth. We believe that consistent practice of our individual traditions should revive and keep them alive. Should the African culture go extinct, our children will never forgive us when they go into diaspora and realize that they cannot be identified to a culture. We believe that teaching culture to the young ones is the key to Africa's transformation and a key to reviving Africa's dying culture. African music is only performed separately in individual localities and only during festivities or functions but BLACKISGOLD is putting it on a bigger stage for the whole world to see, we are out to showcase Africa to the world and make them know that even as a literate, practicing your culture is not prohibited but appreciated. We are on a mission to revive the dying African Culture. Our vision is that we build a One Africa where cultural identity and. Pride is lifted to high esteem. Our objective is to revive those beautiful moments, the genuine happiness that ones existed within our innocent selves, the comfort and pride in consuming our own products. Bringing back the one time colourful and resourceful Africa.

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