NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Call for applications: Universal Music South Africa A and R manager

18 May 2023 - 10:19

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Universal Music South Africa is calling on experienced candidates to apply for the A&R manager position at its offices in Rosebank, Johannesburg.

The submission deadline is 29 May.

The position is permanent and the successful candidate will report to the head of the local urban department.

Main purpose of the role

The A&R manager will be responsible for identifying and evaluating talent, managing the full roster of artists, and representing the commercial interests of both the label and the artists.

“You will provide strategic and operational directives to ensure a healthy churn rate and deliver a new release repertoire of the highest quality,” Universal Music South Africa said. “You will also liaise with the marketing team to develop effective and creative marketing plans for each artist, collaborate with business affairs to oversee acquisitions for the roster and identify and develop artists for international exploitation. Additionally, you will lead and mentor the A&R team at UMG SA.”

Person specification

  • Identify and source potential artists, labels, catalogues and repertoire for the UMG SA roster.
  • Manage the full roster of UMG SA, providing strategic and operational directives to achieve a healthy churn rate and deliver a high-quality new release repertoire.
  • Work with UMG SA artists, their managers, and other members of the creative community to ensure the steady availability of new release repertoire.
  • Oversee the delivery of all recorded music assets, including audio and video masters, artwork, lyrics, and accompanying legal and label documentation required by product teams.
  • Liaise with the marketing team to develop effective and creative marketing plans for each artist and assist in maximising the exploitation of revenue streams.
  • Collaborate with marketing teams to develop and procure synchronisation licenses with third parties to drive licensing revenue.
  • Work with UMG’s business affairs team to oversee and implement acquisitions for the UMG SA roster to ensure compliance with best practices and company policy.
  • Work with the Head of the Department to identify and develop artists and repertoire for international exploitation.
  • Adopt a best-practices approach to innovation in the business and provide leadership and mentorship to the A&R team.
  • Manage relationships with UMG SA artists and their representatives.
  • Attend regular meetings to review the roster with other relevant internal stakeholders.
  • Develop a clear A&R strategy and brief for your scout network, outlining the types of artists you are looking for, the genres of music you are interested in, and the markets you want to target.
  • Provide your scouts with the necessary tools and resources to effectively identify and evaluate new artists, such as access to industry databases, music platforms, and data analytics tools.
  • Establish clear communication channels with your scouts, including regular check-ins and status updates, to ensure that they are aligned with your A&R strategy and that you are aware of any new opportunities or challenges.
  • Train your scouts on best practices for evaluating talent, such as assessing an artist's live performance, social media presence, streaming data, and fan engagement.
  • Provide your scouts with feedback and support to help them improve their scouting skills and to encourage a collaborative culture within your A&R team.
  • Implement clear processes for reviewing and evaluating scout recommendations and ensure that all recommendations are thoroughly vetted before making any investment decisions.
  • Regularly review and assess the performance of your scout network and make adjustments as needed to optimise your A&R strategy and maximise the success of your roster of artists.

Education and experience

  • Relevant tertiary diploma or certificate in business management, marketing, or communications.
  • Qualification in sound engineering or a similar studio recording-related field is an added advantage.
  • Solid A&R experience gained within the music industry.
  • Understanding of market forces and how to best position artists in relevant markets.
  • Proven experience in delivering creative and cost-effective music content for streaming exploitation.
  • Understanding of P&L management and the business planning process.
  • Demonstrated complex problem-solving and decision-making skills and the organisational skills to manage and prioritise a varied workload.
  • Demonstrated the ability to quickly build credible working relationships at all levels of the company.
  • Experience successfully driving collaborative working and managing conflicting points of view.
  • A persuasive and confident communicator who has a strong network of key contacts and is an excellent negotiator.
  • Enthusiastic and engaging, with a clear passion for artists and repertoire.
  • Provides clear direction in a collaborative and mentoring way to drive a dynamic and changing environment and achieve results.
  • Entrepreneurial approach to taking initiative and capitalising on opportunity while remaining calm under pressure.
  • Confident, credible, and self-aware individual.

Diversity and inclusion

Universal Music is an equal opportunities employer and committed to the principle of diversity.

Disclaimer

The company presents this job description as a guide to the major areas and duties for which the jobholder is accountable. However, the business operates in an environment that demands change and the jobholder’s specific responsibilities and activities will vary and develop. Therefore, the job description should be seen as indicative and not as a permanent, definitive, and exhaustive statement.

Interested artists should apply via email at: [email protected] before 29 May.

Note: All UMG employees are currently required to be fully vaccinated against COVID-19 before entering any company offices unless they have been approved for an exemption or unless prohibited by applicable law.

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