NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

ConHill confirmed as main venue for ACCES 2021

03 Sep 2021 - 12:32

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The Music In Africa Foundation is excited to announce that the fourth edition of the ACCES music conference will take place at Constitution Hill in Johannesburg, South Africa, on 25, 26 and 27 November 2021.

The historic Constitution Hill will play host to ACCES 2021 in Johannesburg, South Africa.

ConHill, as it is referred to locally, will be the main venue of the trade event, which is set to host music professionals from across the continent and beyond with a robust programme including keynotes, panel discussions, showcases, workshops, training sessions and networking activities. The MIAF will also announce the ancillary venues that will host live performances during the pan-African event.

ACCES 2021 will feature more than 80 showcasing artists and over 50 speakers from across the globe. The event will be broadcast live on Music In Africa as a way to reach global audiences digitally.

Created in 2017, ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, Ghana, the conference brought together more than 1 200 delegates from about 50 countries. The conference hosted 76 showcasing artists from Africa and the diaspora, who got to perform and connect with fans and potential bookers from different countries.

Historic venue

ConHill is one of Johannesburg’s most iconic landmarks and has previously played host to big events including festivals, concerts, markets and Africa Day celebrations. The historic precinct is the location of the Constitutional Court of South Africa and the Old Fort Prison, where political prisoners like Nelson Mandela, Joe Slovo and Mahatma Gandhi were held by South Africa’s segregationist regime.

“We are excited to welcome delegates and music industry professionals from around the world to Johannesburg and Constitution Hill,” MIAF director Eddie Hatitye said. “There is a powerful emotional response when attending modern-day events at places defined by painful memories, and we are eager to celebrate today’s African music industry at a venue that is emblematic of change, opportunity and freedom. In a similar vein, ACCES 2021 will feature a rich programme of speakers, workshop facilitators and topics geared towards the democratisation of African music and the African music industry. Ultimately, we want to see many successes resulting from this conference and we are doing our best to provide our attendees and showcasing artists with valuable opportunities to take their careers to the next level.”

Pan-African showcases

ACCES’ showcase programme is a central feature of the conference. Showcase applicants are currently being selected by the ACCES Curation Committee, which comprises leading music industry players from across the African continent, including Hatitye (South Africa), musician Kyekyeku (Ghana), the founder and CEO of music production company Black Major, Sevi Spanoudi (South Africa), Sauti za Busara festival organiser and MIAF chairperson Yusuf Mahmoud (Tanzania), Ongala Music Festival founder Aziza Ongala (Tanzania), and media practitioner and former MIAF chairperson Maimouna Dambele (Senegal).

ACCES 2021 has once again partnered with Reeperbahn Festival International (RBF), which will add to the conference’s programming in the form of international experts, showcasing artists and panel discussions designed to foster business exchange and collaborations between artists and industry players working in Africa and Europe. In 2019, RBF brought three acts and a 30-strong European delegation to Accra, which dedicated itself to learn more about the local music market and create contacts with African music professionals.

Industry experts

ACCES has this week started announcing this year’s speakers. The first round of announcements includes Black Major’s Sevi Spanoudi, Afro Nation Ghana producer Ruddy Kwakye (Ghana), Dakar Music Expo founder Dudu Sarr (Senegal), MTN Bushfire festival director Jiggs Thorne (eSwatini), entrepreneur and content marketer Phil Chard (Zimbabwe), Ongala Festival Director Aziza Ongala (Tanzania), music journalist and media strategist Shiba Melissa Mazaza (South Africa) and Composers, Authors and Publishers Association CEO Jotam Matariro. More speakers will be announced throughout September.

To reflect the MIAF’s vision of an inclusive pan-African music industry, ACCES has partnered with Goethe-Institut’s Moving Africa project, which will bring music industry expert from across Africa to Johannesburg to share their knowledge and expertise with the delegates. More speakers will be announced soon.

Registration for ACCES is FREE and opens in September on a first-come, first-served basis.

The MIAF will continue monitoring COVID-19 developments with a view to offer the safest event possible. More information is available on the ACCES official website.

About ACCES

ACCES is a pan-African trade event for music industry players to exchange ideas, discover new talent and create business linkages. ACCES is held in a different African city every year, attracting active music industry players from across the globe. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung, Goethe-Institut and Reeperbahn Festival International.

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