NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Electronic Music Festival

EDM artists you should hear from East Africa 

23 Oct 2019 - 07:12

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East Africa’s (EA) love affair with Electronic Dance Music (EDM) appears to be getting stronger. An influx of enterprising venues, festivals and promoters, has created an integrated ecosystem placing East Africa on the continental and global map. Its future has never looked brighter.

Otim Alpha.

Last year, the SoundCloud blog published a post titled Scene to Watch: Borderless Sounds Ft. East African Electronic. The article brought some well-deserved attention to EA acts and described them as “progressive artists creating their own narrative and shifting culture.”

A good number of these artists are creating sustainable careers doing what they love and at the same time, strengthening the region’s creative influence and gaining global fanbases thanks to music festivals such as Nyege Nyege and internet streaming platforms like Soundcloud and Spotify.

From Kenya's Blinky Bill's benga beats to Raphnan's Ethiopian - inspired tracks, we shine a spotlight on eight EA artists to look out for in 2020.

1. Otim Alpha and Leo Palayeng (Uganda)

The collective that comprises of musician and composer Otim Alpha and DJ/producer Leo Palayeng is arguably the most influential from East Africa. The two have been at the forefront of the DJing culture in Uganda for over a decade. The duo mixes Acholi folk songs into a newer hyper-frenetic electronic version known as Acholitronix. Their international breakthrough came in 2017 after the release of Gulu City Anthems; the first worldwide release of electro Acholi music recorded over 11 years. Since that international debut, the duo continues to tour extensively in mostly Europe performing at festivals and concerts and showing the world that with time, they are only getting better.

Watch Otim Alpha and Leo Palayeng perform at Atlas Electronic 2019 in Marrakech, Morocco:

DJ Kampire of Uganda is one of the most popular female names in the East African scene

2. Raphnan (Ethiopia)

The Ethiopian artist, producer and DJ is one name that you’d have come across among Forbes Africa 30 Under 30 list that was released in July 2019. The disk jockey’s music endeavours to conserve traditional sounds from Ethiopia while at the same time create contemporary and urban African music, which is slowly changing the narrative of how Ethiopian music is perceived by the world. His journey in music has seen him pivotal role in the rise of the EDM scene in his country. In 2019, he made history by becoming the first act to be featured in Coke Studio Africa as both a music producer and an artist. He was also in the news for being featured on Major Lazer’s Africa To The World mixtape in 2017.

Watch Raphnan playing at Nyege Nyege Festival in 2019:

3. Sisso Records (Tanzania)

The record label is hypnotising revellers with tight singeli music. Singeli's signature sound consists of fast-paced, frantic loops interlocking with each other coupled with mc's who often spit satirical lyrics. Sisso Records is made up of DJ and producers Bwax, Sisso, Bampa Pana and Yung Keyz Morento and Mc's Dogo Niga and Makaveli, the label is credited as a key figure for popularising various traditional sounds in Tanzania through EDM.

Watch Sisso Record’s Boiler Room session in 2018:

4. Blinky Bill (Kenya)

Blinky Bill is always the man that takes centre-stage in any discussion regarding EDM in Kenya. The DJ, producer and musician has simply set himself apart from the rest in Kenya by successfully fusing electronic music with funk, hiphop and Kenya’s popular sound; benga. He has had a variety of international shows and tours across Europe. In 2018 Blinky Bill was included in the Yerba Buena Centre of the Arts YBCA100, a list of 100 people shifting culture and creating change.

Watch Blinky Bill's 'Don't Worry' video:

5. Suraj (Kenya)

As a true witness to the birth of EDM music in Kenya, Suraj, a DJ and producer, is a respected veteran in the dance scene. His music is a fusion of modern electronic music with African soundscapes, instruments and vocals, even bringing live djembe players to some of his shows. He has released numerous hits including the critically acclaimed ‘Wawere’, which featured Kenyan Afro-fusion artist Olith Ratego.

Watch Suraj’s Boiler Room session in 2018:

Coco Em is easily becoming one of the regions favourites

6. DJ Kampire (Uganda)

DJ Kampire of Uganda is one of the most popular female names in the East African scene with unparalleled skill in producing amazing nostalgic music. Drawing influences from Afro-house, Latin bass, St Lucian soca, Congolese soukous, baile funk, kudoro, gqom, among others, the artist has toured various countries in Africa, Europe and Asia. In June 2019, she made her debut in the USA at the New York City edition of Red Bull Music Festival. With her infectious music production style and live performances, she remains a highly influential act.

Below is a video of Kampire’s Boiler Room session at Nyege Nyege Festival in 2018

7. Catu Diosis (Uganda)

It's quite a journey to watch Catu Diosis perform because her sets include heavy sounds with bass from across the continent. A protege of Congolese producer Rey Sapienz, Catu Diosis is among the women in East Africa who are firing up the region’s electronic music scene since 2016. When she is not mixing, she likes to mentor young women through DJying workshops for young women eager people to join the music industry.

Watch Catu Diosis’ Boiler Room session in 2019:

8. Coco Em (Kenya)

Formerly a photographer and graphic designer, Coco Em is easily becoming one of the regions favourites. The Nairobi based artist has been catching a buzz with a signature blend of electronic beats, the drum, the kick and the snare with typically African dance genres such as kuduro and soukous. Presently, she is one of the most recognisable faces in EDM, especially for youngsters who need to convince their parents that a career in DJ’ing.

Watch Coco Em’s Boiler Room session in 2018:

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