NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

How to - Music Biz

How to get the most from a music trade event as a pro

17 Oct 2018 - 10:36

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By Jess White

There are many ways in which a music industry professional (artist manager, booking agent, festival director, record label owner, etc.) can benefit from attending a music trade event. Below are four important steps to getting the most out of the next trade event that you attend.

Africa Fête festival director Rokhaya Daba Sarr at the 2017 edition of ACCES in Dakar, Senegal.

1. Identify how attending can help you achieve both your short-term and longer-term goals

Review the short-term and long-term plans for your business. When attending a music conference, it is best to identify what new business you are looking for and how this fits in with your overall business plan.

Below are some key areas to benefit from the platform provided:

a) Networking opportunities with the attending delegates.

b) To listen and learn from experienced professionals.

c) For Artist Managers:

  • To build relationships with promoters, booking agents and festivals attending,
  • To build relationships with record labels and distribution companies attending,
  • To network with potential funding bodies in attendance,
  • To build relationships with media attending,
  • To promote the artist you work with,
  • To find new artists to work with in a management capacity.

d) For Booking Agents:

  • To build relationships with promoters and festivals attending,
  • To discover live performance opportunities for existing artists on your roster (i.e. festivals and tours)
  • To find new artists to work as a booking agent,
  • To build relationships with media attending,
  • To promote the artists you work with.

e) For Music Festival Directors/Programmers:

  • To see new artists for potential future bookings,
  • To build relationships with managers and agents attending,
  • To network with potential funding bodies in attendance,
  • To promote your music festival.

f) For Record Labels/Distribution Managers:

  • To discover new artists to sign,
  • To build relationships with artists, managers and agents attending,
  • To build relationships with media attending,
  • To promote your label.

g) For Media:

  • To build relationships with managers and agents attending,
  • To build relationships with music festivals attending,
  • To build relationships with artists attending,
  • To network and promote your own business or media platform.

2. Research the music industry professionals attending the conference

The best music conferences list the music industry professionals that are attending the conference. With the knowledge of the new business you are aiming to achieve from the conference (Step 1), you can now start to make a shortlist of who you aim to connect with, both prior to the start of and during the trade event itself.

Research the artists, music festivals, artist management companies, booking agents, record labels and other relevant parties in attendance, and identify any potential synergies between what they do and what you do. Once you have done this research, you should have a good shortlist of delegates to contact.

3. Contact the relevant music industry professionals prior to the conference

Take your time to contact your shortlisted delegates. You should make contact with them personally, and approximately two weeks prior to the trade conference to introduce yourself and to set up a meeting. If you have an artist that you work with showcasing at the event, make sure to invite relevant delegates to the performance.

Dos:

  • Do your research first
  • Contact via email or the online platform provided by the conference
  • Send a short, personalised email introducing yourself and what you do
  • Set up a meeting

Don’ts:

  • Contact all delegates in attendance. They will receive lots of emails and if your email looks like a generic “hello”, they will easily skip over it
  • Contact music industry whose work does match yours. If you represent a traditional music group and the music festival books electronic music, you are wasting both your time and theirs
  • Include large files as attachments. Photos, videos and MP3s should be sent via the Cloud

4. What to bring?

Some music industry professionals have embraced the digital age, and would prefer to receive everything via email to download and hence not have to carry business cards, flyers, vinyls, CDs and flash drives around with them.

However, other music industry professionals are more than happy to receive your music on vinyl, CD or flash drive, and your business information on tradtional cards or flyers.

We suggest that you have everything stored in the cloud, ready to send via email, and if you wish, bring a limited number of physical copies of your music or promotional assets to give to selected delegates.

Also, rest up ahead of the conference and bring positive energy and comfortable shoes - trade conferences are known for their long days and nights!

Jess White is the founder of Akum Agency.

About ACCES

ACCES is a pan-African event for music industry players to exchange ideas, discover new talent and create business linkages. ACCES is held in a different African city every year, attracting active music industry players from across the globe.

ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung, Goethe-Institut, Alliance Francaise, Kenya’s Permanent Presidential Music Commission (PPMC), MagicalKenya and the Kenya Cultural Centre.

For more information, including registration and sponsorship opportunities, visit the ACCES website or download the ACCES 2018 brochure here.

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