NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Lobby group warns against latest Kenyan copyright amendment bill

17 Jan 2022 - 09:08

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Kenyan lobby group Partners Against Piracy (PAP) is objecting to a proposed repeal of internet service provider (ISP) provisions in Kenya’s Copyright Act ahead of a parliamentary sitting on 24 January.

Homa Bay County woman representative Gladys Wanga is behind the latest copyright amendment bill in Kenya. Photo: Twitter

The last copyright amendment bill was signed into law by President Uhuru Kenyatta in October 2019. Its provisions detail the legal basis and incentives for improved cooperation from ISPs to support rights holders in their anti-piracy fight within the country’s borders and beyond. These include how copyright holders can request ISPs to take down flagged content and collaborate with the authorities to prosecute content pirates. The law also informs the High Court of Kenya’s mandate in handling copyright violations.

The new amendment bill, sponsored by Homa Bay County woman representative Gladys Wanga and currently in the public participation stage, could see the exclusion of the Copyright Act’s sections 35B, 35C and 35D. Wanga had stated that the formulation of the amendment bill followed deliberations with former prime minister Raila Odinga, noting that “the object of the bill is to provide for a fair formula for sharing of revenue from ringback tunes between the artists or copyright holders and the telecoms companies.”

The new bill proposes 52% earnings for artists for ringback tones as opposed to the current 30%. Despite objecting to the exclusion of the act’s aforementioned sections, the multisectoral PAP coalition says it supports the increase of revenue to rights holders for ringback tunes.

“To be clear, we’re only asking that the proposal to repeal the ISP-related provisions in the Copyright Amendment Act 2019 be removed from this bill,” PAP convener and PHAT! Music & Entertainment founder Mike Strano told Music In Africa. “If the current ISP-related provisions in the Copyright Amendment Act 2019 are enforced, the impact on the entire creative industry, not just music, would be an additional Sh92 billion ($811m) annually, including an estimated Sh16.25 billion in taxes to government and Sh14.31 billion to local content creators. Not only will this revenue help the industry to fully recover from the financial blow dealt by the COVID-19 pandemic, it would also catalyse job creation and attract investment.”

PAP added that instead of curbing crime, repealing sections 35B, 35C and 35D of the act could enable the continuation of fraudulent online activities.

“The repeal of these important provisions will continue to abet the illegal operations involved in offering pirated content online, including crimes like tax evasion, identity theft, data ransom, money laundering and fraud,” the lobby group, which includes the Intellectual Property Owners Association of Kenya, the Kenya Publishers Association, the Kenya Film and Television Professional Association, MultiChoice Kenya, the Music Associations Alliance of Kenya, Boomplay Music, Mdundo, PHAT! Music & Entertainment and Sauti Sol-owned label Sol Generation, among others, warned. “These same crime groups are also involved in trafficking of humans, organs, drugs, weapons and more, as well as terrorism, contract killing and counterfeiting.”

PAP also fears that the proposed bill contravenes provisions on intellectual property rights in Kenya’s Constitution, which it suggests are akin to al other proprietary rights. It says the amendment bill will make it difficult for ISPs to recoup investments, as some 99% of potential revenue is lost to online piracy. Instead of moving to strike the ISP-related provisions from the current law, PAP has implored Parliament to “consider changes to make the law clearer and more effective, in full cooperation with the ISPs, thus ensuring the sustainability of the Kenya creative industry and the safety of our country from such crimes.”

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