NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Malawi mourns veteran reggae singer Lucius Banda

01 Jul 2024 - 09:47

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Malawians are mourning the death of veteran local reggae singer Lucius Banda, who died at a hospital in Johannesburg, South Africa, on 30 June. He was 53.

The late Lucius Banda. Photo: YouTube

Banda, whose music portrayed social, economic and cultural constraints, succumbed to kidney failure. In a video circulating on social media, Banda confirmed that he had a kidney ailment and was undergoing treatment in Johannesburg.

“Hello Malawi. How are you? I see a lot of messages, a lot of worries about my situation. Yeah, it’s true. I am in a hospital here in South Africa because of a stressful issue. I have a kidney problem, so I always go for what we call dialysis. The reason I was using a walking stick, or maybe a wheelchair, is because of my left leg. I was attacked by gout.”

The news about Banda’s death was confirmed in a press statement by the Malawian government.

“The nation will live to remember honourable Lucius Banda, fondly referred to as Soldier, as a dedicated and selfless son of Malawi who courageously fought all his life for the betterment of lives of ordinary people through his music and political involvement,” Minister of information and digitalisation Moses Kalongashawa said. “Government in consultation with the family will keep the nation informed of all funeral arrangements.”

Following his death, musicians and industry professionals took to social media to convey their condolences.

“Malawi’s music has died,” writer Jerome Chisikwa said. “Art has died. This man right here is easily the greatest musician Malawi has ever produced. He has left a song for every moment, from politics, social justice, daily struggles and perseverance, to love and romance, etc. Rest in peace, Sir Lucius Banda.”

Local rapper Tay Grin wrote: “Sir Lucius Banda, you profoundly inspired my music career. I grew up listening to your music and eventually had the honor of collaborating with you. You shouldered us all and took enormous responsibility for our industry. We salute you, sir. Your legacy lives on, and your iconic name shall be sung forever. Thank you for your courage. Rest in power icon.”

Internet personality Gabriel Chrispus Buule wrote: “A great human, leader, and music legend! Lucius Banda has joined the heavenly choir. To the family and my friends in Malawi, it’s a sad day. Till we meet again, soldier.”

Lucius Banda was a renowned Malawian musician, politician, and human rights activist. Born on 17 November 1970 in Balaka, Banda was celebrated for his powerful music that addresses social and political issues. He was the founder of the band Zembani and released several critically acclaimed albums including Yahwe, Unity, How Long, Not Easy Road, Money and Power, and Love and Hate. His music earned him numerous awards and international recognition. In addition to his music career, he served as a member of parliament in Malawi and has been a vocal advocate for human rights and democracy.

Banda’s political career was marked by ups and downs. He served as MP for Balaka North Constituency until 2006, when he was convicted of having fake academic qualifications and sentenced to 21 months in prison. He was released after three months and went on to release an album inspired by his experience titled Cell 51 Maximum. He later fell out with the government in 2010, but made a comeback in the 2014 elections, winning back his seat in Balaka Central Constituency.

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