NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Playlist 8: Five new African reggae videos to check out

01 Jun 2016 - 13:55

cc-img flag-img

Here are some music videos from different parts of Africa, selected by music lovers just like yourself. Following the month of May that has just passed, during which the world celebrated the anniversary of the death of Jamaican reggae icon Bob Marley on 11 May 1981, this time we select our favourite new reggae videos.

Wahu & Cindy on Yeye Video

EAST AFRICA
Wahu Kagwi & Cindy Sanyu - 'Yeye ' (Kenya / Uganda)

Two of East Africa’s favourite female artists, Wahu Kagwi from Kenya and Cindy Sanyu from Uganda, got fans talking with the release of their new collaborative effort ‘Yeye’. It's is a fun and flirty song in which the two songstresses engage in 'girl talk' about a guy. While Cindy is a dancehall artist, Afro-pop singer Wahu proves her versatility and gives her fans her first offering since her last release back in July 2015. The song is light and danceable. Critics may find the video not particularly different from the many that are released, but it is commendable that two artists of different genres and different countries got together to release a song that will surely find a place in clubs. Directed by one of Kenya’s leading music video directors, J Blessing, the video is pleasing on the eye. The chemistry between Cindy and Wahu is undeniable, making the song a success.

[video:https://www.youtube.com/embed/txZsToWkTd0 autoplay:0]


SOUTHERN AFRICA
Queen Vee ft. Souljah Love - 'Mari Mari' Dope G - (Zimbabwe)

Following the success of their 2015 collaboration 'Thirsty', former Miss Zimbabwe turned pop diva Queen Vee reunites with Zim-Dancehall star Souljah Luv for her latest single 'Mari Mari', an uptempo dancehall number. The video was officially launched on Channel O in late April and hit Youtube a few days later on 1 May. It quickly reached 100 000 views in just five days, and has since passed the 200 000 mark. Fans have hailed the high-quality video production as well as the catchy production. The song is released by local label United Nations of Africa (UNA) Entertainment, run by another leading figure in Zimbabwe's thriving dancehall scene, Buffalo Souljah. The video was shot by Johannesburg-based production company Studio Space Pictures, who have also done videos for African heavyweights such as Ice Prince ('Marry You'), Victoria Kimani ('Show') and South African stars like AKA, Cassper Nyovest and others.

[video:https://www.youtube.com/embed/uGJxs8EcWf8 autoplay:0]


WEST AFRICA - English
Stonebwoy ft. Kranium – ‘Talk to Me’ (Ghana)

‘Talk to Me’ by Ghanaian reggae-dancehall artist Stonebwoy is a love song, which ordinarily is a strange thing to contemplate for an artist that projects a squeaky clean, almost studious image - but then he has always had his love songs (perhaps the most clearly reggae of them being 2015’s ‘RudeBwoi Love’ featuring Juls). On ‘Talk to Me’ he drifts toward the dancehall side of the reggae-dancehall spectrum. For a different kind of artist, the song’s lyrical content (“Talk to me baby, I wan know what gwan inna your mind”) is an avenue for a steamy video. Stonebwoy, though, keeps his distance. The lyrics are suggestive (“woman, you are the chosen/Me a knock on the door…[you] open…I bring the fire, make it light up like a oven”) but hardly vulgar. His demeanour seems to infect Kranium, his partner on the song. Known for the raunchy track 'Nobody Has to Know', the Jamaican artist manages to subdue his basest instincts - that in itself is an achievement. When Stonebwoy is ready for his close-up shot (a requirement for the video of a song of this level of implied romance), he serves up a rather cute face; no smouldering stare from the man. In any other artist, this cuteness would be rather incongruous with the song, but with Stonebwoy’s image it seems about right: a certain cuteness has always been a part of the man’s appeal, that and his way with a tune.

[video:https://www.youtube.com/embed/NlLshRrw6Uo autoplay:0]


WEST AFRICA - French
Jah Verity​
- 'Gnan Gbo' (Burkina Faso)

Burkinabe reggae man Jah Verity (aka Etimbé Koffi Bernard), winner of the 2016 Marley d'Or prize for best reggae artist in Burkina Faso, dishes up a tasty mix reggae with an African sauce on his last track 'Gnan Gbo' . Jah Verity is a multi-talented artist and is open to diversity, wihle promoting tolerance and unity, values close to hearts of his roots reggae predecessors. Jah Verity has won the hearts of music lovers from Burkina Faso and rest of the the region through his unique style, voice, lyrics and melodies that reflect the best of Africa. To African music lovers he remains a model of linguistic integration that transcends borders to unite people through music.

[video:https://www.youtube.com/embed/fRWNqwf63SQ autoplay:0]


CENTRAL AFRICA
Lexxus Legal ft. Tiken Jah Fakoly – 'Oser la paix' (DRC/Ivory Coast)

'Oser la paix' (daring peace) is a cover of the track "Le temps de la paix” (Time for peace) released in 2006 in which John Goubald sang alongside Lexxus Legal. This time the Congolese rapper employs Ivorian reggae star Tiken Jah Fakoly, who sings in Lingala, one of the local languages ​​of the DRC. In 'Oser la paix', Lexxus and Tiken call for unity and peace in the DRC. "Congo, this country we are proud of, the time for reconciliation has now come," Tiken sings in Lingala, which he learned while recording the song in studio. We also remember the Ivorian artist slipped in a few words about Kinshasa, capital of DRC, in his 2002 song 'Franco'.

The video of the song was released in January 2016. The song is taken from Lexxus Legal's new album titled Leop'Art. True to form, Lexxus Legal's messages are focused on peace, elections, good governance and political life in general. When a reporter asked him why he doesn't sing about love, in the sense of a relationship between a man and a woman, his answer was straightforward: "You want me to sing about love when my country is war-torn and has conflict of any kind!". Clearly, his love for his country has more importance than everything. Together, Tiken Jah Fakoly and Lexxus Legal are revolutionary artists able to inspire a generation. Here hip-hop and reggae unite for a good cause, using music to awaken consciousness.

[video:https://www.youtube.com/embed/tBVQOcT3VJY autoplay:0]


Watch our earlier video playlists by clicking on the links below:

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media